§ 10.2 en 10.3 Sinus, cosinus en tangens

THE FIDE LAWS OF CHESS. Introduction FIDE Laws of Chess cover over-the-board play. The Laws of Chess have two parts: 1. Basic Rules of Play and 2. Competitive Rules of Play. The English text is the authentic version of the Laws of Chess (which were adopted at the 93rd FIDE Congress at Chennai, India) coming into force on 1 January 2023. Preface. The Laws of Chess cannot cover all possible situations that may arise during a game, nor can they regulate all administrative questions. Where cases are not precisely regulated by an Article of the Laws, it should be possible to reach a correct decision by studying analogous situations which are regulated in the Laws. The Laws assume that arbiters have the necessary competence, sound judgement and absolute objectivity. Too detailed a rule might deprive the arbiter of his/her freedom of judgement and thus prevent him/her from finding a solution to a problem dictated by fairness, logic and special factors. FIDE appeals to all chess players and federations to accept this view. A necessary condition for a game to be rated by FIDE is that it shall be played according to the FIDE Laws of Chess. It is recommended that competitive games not rated by FIDE be played according to the FIDE Laws of Chess. Member federations may ask FIDE to give a ruling on matters relating to the Laws of Chess. BASIC RULES OF PLAY. Article 1: The Nature and Objectives of the Game of Chess 1.1 1.2 1.3 1.4 The game of chess is played between two opponents who move their pieces on a square board called a ‘chessboard’. The player with the light-coloured pieces (White) makes the first move, then the players move alternately, with the player with the dark-coloured pieces (Black) making the next move. A player is said to ‘have the move’ when his/her opponent’s move has been ‘made’. The objective of each player is to place the opponent’s king ‘under attack’ in such a way that the opponent has no legal move. 1.4.1 The player who achieves this goal is said to have ‘checkmated’ the opponent’s king and to have won the game. Leaving one’s own king under attack, exposing one’s own king to attack and also ’capturing’ the opponent’s king is not allowed. 1.4.2 The opponent whose king has been checkmated has lost the game. 1.5 If the position is such that neither player can possibly checkmate the opponent’s king, the game is drawn (see Article 5.2.2). Article 2: The Initial Position of the Pieces on the Chessboard 2.1 2.2 The chessboard is composed of an 8 x 8 grid of 64 equal squares alternately light (the ‘white’ squares) and dark (the ‘black’ squares). The chessboard is placed between the players in such a way that the near corner square to the right of the player is white. At the beginning of the game White has 16 light-coloured pieces (the ‘white’ pieces); Black has 16 dark-coloured pieces (the ‘black’ pieces). These pieces are as follows: A white king usually indicated by the symbol K A white queen Two white rooks Two white bishops Two white knights Eight white pawns A black king A black queen Two black rooks Two black bishops Two black knights Eight black pawns usually indicated by the symbol Q usually indicated by the symbol R usually indicated by the symbol B usually indicated by the symbol N usually indicated by the symbol usually indicated by the symbol K usually indicated by the symbol Q usually indicated by the symbol R usually indicated by the symbol B usually indicated by the symbol N usually indicated by the symbol Staunton Pieces p Q K B N R 9 2.3 The initial position of the pieces on the chessboard is as follows: 2.4 The eight vertical columns of squares are called ‘files’. The eight horizontal rows of squares are called ‘ranks’. A straight line of squares of the same colour, running from one edge of the board to an adjacent edge, is called a ‘diagonal’. Article 3: The Moves of the Pieces 3.1 It is not permitted to move a piece to a square occupied by a piece of the same colour. 3.1.1 If a piece moves to a square occupied by an opponent’s piece the latter is captured and removed from the chessboard as part of the same move. 3.1.2 A piece is said to attack an opponent’s piece if the piece could make a capture on that square according to Articles 3.2 to 3.8. 3.1.3 A piece is considered to attack a square even if this piece is constrained from moving to that square because it would then leave or place the king of its own colour under attack. 3.2 The bishop may move to any square along a diagonal on which it stands. 3.3 The rook may move to any square along the file or the rank on which it stands. 3.4 The queen may move to any square along the file, the rank or a diagonal on which it stands. 3.5 3.6 3.7 When making these moves, the bishop, rook or queen may not move over any intervening pieces. The knight may move to one of the squares nearest to that on which it stands but not on the same rank, file or diagonal. 3.7 When making these moves, the bishop, rook or queen may not move over any intervening pieces. The knight may move to one of the squares nearest to that on which it stands but not on the same rank, file or diagonal. The pawn: 3.7.1 The pawn may move forward to the square immediately in front of it on the same file, provided that this square is unoccupied, or 3.7.2 on its first move the pawn may move as in 3.7.1 or alternatively it may advance two squares along the same file, provided that both squares are unoccupied, or 3.7.3 the pawn may move to a square occupied by an opponent’s piece diagonally in front of it on an adjacent file, capturing that piece. 3.7.3.1 A pawn occupying a square on the same rank as and on an adjacent file to an opponent’s pawn which has just advanced two squares in one move from its original square may capture this opponent’s pawn as though the latter had been moved only one square. 3.7.3.2 This capture is only legal on the move following this advance and is called an ‘en passant’ capture. 3.7.3.3 When a player, having the move, plays a pawn to the rank furthest from its starting position, he/she must exchange that pawn as part of the same move for a new queen, rook, bishop or knight of the same colour on the intended square of arrival. This is called the square of ‘promotion’. 3.7.3.4 The player's choice is not restricted to pieces that have been captured previously. 3.7.3.5 This exchange of a pawn for another piece is called promotion, and the effect of the new piece is immediate. 3.8 There are two different ways of moving the king: 3.8.1 by moving to an adjoining square. 3.8.2 by ‘castling’. This is a move of the king and either rook of the same colour along the player’s first rank, counting as a single move of the king and executed as follows: the king is transferred from its original square two squares towards the rook on its original square, then that rook is transferred to the square the king has just crossed. 3.8.2.1 The right to castle has been lost: 3.8.2.1.1 If the king has already moved, or 3.8.2.1.2 With a rook that has already moved. 3.8.2.2 Castling is prevented temporarily: 3.8.2.2.1 if the square on which the king stands, or the square which it must cross, or the square which it is to occupy, is attacked by one or more of the opponent's pieces, or 3.8.2.2.2 if there is any piece between the king and the rook with which castling is to be effected. 3.9 The king in check: 3.9.1 The king is said to be 'in check' if it is attacked by one or more of the opponent's pieces, even if such pieces are constrained from moving to the square occupied by the king because they would then leave or place their own king in check. 3.9.2 No piece can be moved that will either expose the king of the same colour to check or leave that king in check. 3.10 Legal and illegal moves; illegal positions: 3.10.1 A move is legal when all the relevant requirements of Articles 3.1 – 3.9 have been fulfilled. 3.10.2 A move is illegal when it fails to meet the relevant requirements of Articles 3.1 –3.9. 3.10.3 A position is illegal when it cannot have been reached by any series of legal moves. Article 4: The Act of Moving the Pieces 4.1 4.2 Each move must be played with one hand only. Adjusting the pieces or other physical contact with a piece: 4.2.1 Only the player having the move may adjust one or more pieces on their squares, provided that he/she first expresses his/her intention (for example by saying “j’adoube” or “I adjust”). 4.2.2 Any other physical contact with a piece, except for clearly accidental contact, shall be considered to be intent. 4.3 Except as provided in Article 4.2.1, if the player having the move touches on the chessboard, with the intention of moving or capturing: 4.3.1 one or more of his/her own pieces, he/she must move the first piece touched that can be moved. 4.3.2 one or more of his/her opponent’s pieces, he/she must capture the first piece touched that can be captured. 4.3.3 one or more pieces of each colour, he/she must capture the first touched opponent’s piece with his/her first touched piece or, if this is illegal, move or capture the first piece touched that can be moved or captured. If it is unclear whether the player’s own piece or his/her opponent’s was touched first, the player’s own piece shall be considered to have been touched before his/her opponent’s. 4.4 If a player having the move: 4.4.1 touches his/her king and a rook he/she must castle on that side if it is legal to do so 4.4.2 deliberately touches a rook and then his/her king he/she is not allowed to castle on that side on that move and the situation shall be governed by Article 4.3.1. 4.4.3 intending to castle, touches the king and then a rook, but castling with this rook is illegal, the player must make another legal move with his/her king (which may include castling with the other rook). If the king has no legal move, the player is free to make any legal move. 4.4.4 promotes a pawn, the choice of the piece is finalised when the piece has touched the square of promotion. 4.5 4.6 If none of the pieces touched in accordance with Article 4.3 or Article 4.4 can be moved or captured, the player may make any legal move. The act of promotion may be performed in various ways: 4.6.1 the pawn does not have to be placed on the square of arrival. 4.6.2 removing the pawn and putting the new piece on the square of promotion may occur in any order. 4.6.3 If an opponent’s piece stands on the square of promotion, it must be captured. 4.7 When, as a legal move or part of a legal move, a piece has been released on a square, it cannot be moved to another square on this move. The move is considered to have been made in the case of: 4.7.1 A capture, when the captured piece has been removed from the chessboard and the player, having placed his/her own piece on its new square, has released this capturing piece from his/her hand. 4.7.2 Castling, when the player's hand has released the rook on the square previously crossed by the king. When the player has released the king from his/her hand, the move is not yet made, but the player no longer has the right to make any move other than castling on that side, if this is legal. If castling on this side is illegal, the player must make another legal move with his/her king (which may include castling with the other rook). If the king has no legal move, the player is free to make any legal move. 4.7.3 Promotion, when the player's hand has released the new piece on the square of promotion and the pawn has been removed from the board. 4.8 4.9 A player forfeits his/her right to claim against his/her opponent’s violation of Articles 4.1 – 4.7 once the player touches a piece with the intention of moving or capturing it. 4.8. A player forfeits his/her right to claim against his/her opponent’s violation of Articles 4.1 – 4.7 .4.9. If a player is unable to move the pieces, an assistant, who shall be acceptable to the arbiter, may be provided by the player to perform this operation. Article 5: The Completion of the Game 5.1.1 The game is won by the player who has checkmated his/her opponent’s king. This immediately ends the game, provided that the move producing the checkmate position was in accordance with Article 3 and Articles 4.2 – 4.7. 5.1.2 The game is lost by the player who declares he/she resigns (this immediately ends the game), unless the position is such that the opponent cannot checkmate the player’s king by any possible series of legal moves. In this case the result of the game is a draw. 5.2.1 The game is drawn when the player to move has no legal move and his/her king is not in check. The game is said to end in ‘stalemate’. This immediately ends the game, provided that the move producing the stalemate position was in accordance with Article 3 and Articles 4.2 – 4.7. 5.2.2 The game is drawn when a position has arisen in which neither player can checkmate the opponent’s king with any series of legal moves. The game is said to end in a ‘dead position’. This immediately ends the game, provided that the move producing the position was in accordance with Article 3 and Articles 4.2 – 4.7. 5.2.3 The game is drawn upon agreement between the two players during the game, provided both players have made at least one move. This immediately ends the game. COMPETITIVE RULES OF PLAY Article 6: The Chessclock 6.1 ‘Chessclock’ means a clock with two time displays, connected to each other in such a way that only one of them can run at a time. ‘Clock’ in the Laws of Chess means one of the two time displays. Each time display has a ‘flag’. ‘Flag-fall’ means the expiration of the allotted time for a player. 6.2 Handling the chessclock: 6.2.1 During the game each player, having made his/her move on the chessboard, shall pause his/her own clock and start his/her opponent’s clock (that is to say, he/she shall press his/her clock). This “completes” the move. A move is also completed if: 6.2.1.1 6.2.1.2 the move ends the game (see Articles 5.1.1, 5.2.1, 5.2.2, 9.2.1, 9.6.1 and 9.6.2), or the player has made his/her next move, when his/her previous move was not completed. 6.2.2 A player must be allowed to pause his/her clock after making his/her move, even after the opponent has made his/her next move. The time between making the move on the chessboard and pressing the clock is regarded as part of the time allotted to the player. 6.2.3 A player must press his/her clock with the same hand with which he/she made his/her move. It is forbidden for a player to keep his/her finger on the clock or to ‘hover’ over it. 6.2.4 The players must handle the chessclock properly. It is forbidden to press it forcibly, to pick it up, to press the clock before moving or to knock it over. Improper clock handling shall be penalised in accordance with Article 12.9. 6.2.5 6.2.6 Only the player whose clock is running is allowed to adjust the pieces. If a player is unable to use the clock, an assistant, who must be acceptable to the arbiter, may be provided by the player to perform this operation. His/Her clock shall be adjusted by the arbiter in an equitable way. This adjustment of the clock shall not apply to the clock of a player with a disability. 6.3 Allotted time: 6.3.1 When using a chessclock, each player must complete a minimum number of moves or all moves in an allotted period of time including any additional amount of time added with each move. All these must be specified in advance. 6.3.2 The time saved by a player during one period is added to his/her time available for the next period, where applicable. In the time-delay mode both players receive an allotted ‘main thinking time’. Each player also receives a ‘fixed extra time’ with every move. The countdown of the main thinking time only commences after the fixed extra time has expired. Provided the player presses his/her clock before the expiration of the fixed extra time, the main thinking time does not change, irrespective of the proportion of the fixed extra time used. 6.4 Immediately after a flag falls, the requirements of Article 6.3.1 must be checked. 6.5 Before the start of the game the arbiter shall decide where the chessclock is placed. 6.6 At the time determined for the start of the game White’s clock is started.6.7. Default time: 6.7.1 The regulations of an event shall specify a default time in advance. If the default time is not specified, then it is zero. Any player who arrives at the chessboard after the default time shall lose the game unless the arbiter decides otherwise. 6.7.2 If the regulations of an event specify that the default time is not zero and if neither player is present initially, White shall lose all the time that elapses until he/she arrives, unless the regulations of an event specify, or the arbiter decides otherwise. 6.8 A flag is considered to have fallen when the arbiter observes the fact or when either player has made a valid claim to that effect. 6.9 Except where one of Articles 5.1.1, 5.1.2, 5.2.1, 5.2.2, 5.2.3 applies, if a player does not complete the prescribed number of moves in the allotted time, the game is lost by that player. However, the game is drawn if the position is such that the opponent cannot checkmate the player’s king by any possible series of legal moves. 6.10 Chessclock setting: 6.10.1 Every indication given by the chessclock is considered to be conclusive in the absence of any evident defect. A chessclock with an evident defect shall be replaced by the arbiter, who shall use his/her best judgement when determining the times to be shown on the replacement chessclock. 6.10.2 If during a game it is found that the setting of either or both clocks is incorrect, either player or the arbiter shall pause the chessclock immediately. The arbiter shall install the correct setting and adjust the times and move-counter, if necessary he/she shall use his/her best judgement when determining the clock settings. 6.11.1 If the game needs to be interrupted, the arbiter shall pause the chessclock. 6.11.2 A player may pause the chessclock only in order to seek the arbiter’s assistance, for example when promotion has taken place and the piece required is not available. 6.11.3 The arbiter shall decide when the game restarts. 6.11.4 If a player pauses the chessclock in order to seek the arbiter’s assistance, the arbiter shall determine whether the player had any valid reason for doing so. If the player has no valid reason for pausing the chessclock, the player shall be penalised in accordance with Article 12.9. 6.12.1 Screens, monitors, or demonstration boards showing the current position on the chessboard, the moves and the number of moves made/completed, and clocks which also show the number of moves, are allowed in the playing hall. 6.12.2 The player may not make a claim relying only on information shown in this manner.

Caractéristiques générales de la synthèse de documents La synthèse est un exercice assez simple, car très technique. Pour réussir, il faut néanmoins faire preuve de rigueur car elle est très codifiée. Les pièges de la synthèse La plupart des étudiants ignorent la technique de synthèse telle qu’elle est attendue en BTS. Aussi plusieurs pièges sont à éviter. La synthèse n’est pas une dissertation personnelle Premier écueil : si l’on se souvint de la consigne vue plus avant, le travail demandé doit être objectif. Aucun point de vue personnel ou même appréciation subjectif sur les documents ne doit apparaître dans la rédaction. On recommande d’ailleurs aux étudiants de ne pas utiliser le pronom « je » dans leur travail de façon à éviter tout malentendu. Le candidat doit donc rapporter les idées des auteurs de façon neutre, sans jugement de valeur. La synthèse n’est pas un résumé des documents La plus grande erreur commise en première année de BTS consiste à résumer les documents, les uns après les autres. Un petit détour par l’étymologie nous permettra de mieux comprendre le travail attendu. Le terme « synthèse » vient du grec sunthesis qui signifie « mise en commun ». Il s’agit donc de rassembler les informations collectées dans les différents documents en un ensemble organisé, donc cohérent. Les idées doivent être confrontées en établissant des liens entre les documents. La synthèse n’est pas un montage de citations Le Bac de français est derrière vous. Oubliez (en partie) cette épreuve. Ici, pas de citations, de numéros de lignes pour appuyer votre rédaction. Votre travail consiste à reformuler de façon synthétique le contenu et les enjeux des documents. La nature du travail demandé Une consigne codifiée pour rédiger votre synthèse Trois adjectifs dans cette consigne. Tout d’abord, la synthèse doit être concise, c’est-à-dire courte et dense. Quatre pages maximum sont généralement attendues à l’épreuve. Nous l’avons déjà évoqué plus haut, la synthèse est un exercice absolument objectif. Aucune idée extérieure aux documents ni commentaire personnel ne doivent figurer dans la rédaction. Enfin, la synthèse est un travail ordonné. Un plan soutient donc la rédaction, on attend ainsi : • une introduction; • un développement; • une conclusion. La démarche à adopter pour votre synthèse La préparation de la synthèse se décompose en deux temps : • Un premier temps consacré à la lecture active de chaque document. Les idées importantes sont relevées, les arguments sont listés, le raisonnement de l’auteur est analysé. • Un second temps consacré à la mise en relation des différents documents de façon à établir des liens entre eux : il s’agit en fait de recomposer un débat entre les auteurs. Sont-ils d’accord ? S’opposent-ils ? Si oui sur quels point ? … La synthèse : un acte de communication On veut donc vérifier que vous savez « lire » : c’est-à-dire que vous êtes capable de comprendre ce qui est écrit dans les documents et de reformuler selon des contraintes de longueur de texte. L’étymologie du verbe « lire » nous le confirme : legere, en latin, signifique « choisir » La méthodologie de synthèse en 10 points Voici un récapitulatif des 10 maladresses principales à éviter et des 10 règles à adopter Les interdits de la synthèse 1. Faire des citations des auteurs des documents pour soutenir les idées avancées. 2. Donner son avis, émettre des remarques subjectives : ex : l’auteur oublie malheureusement que… 3. Faire des références à des documents hors corpus, faire allusion à une autre œuvre de l’auteur. 4. Rédiger un « catalogue » des idées sans lien logique entre elles. Rédiger au fil de son inspiration. 5. Rédiger une synthèse longue et détaillée. 6. Laisser de côté un document, parce que l’on ne l’a pas compris ou qu’il nous semble inintéressant… 7. Utiliser le pronom « je ». 8. Faire un plan apparent (A, B…) avec des titres. 9. Juxtaposer des résumés des documents. 10. Faire référence aux documents par le numéro attribué dans le dossier. Ce qu’il faut faire 1. Reformuler les idées. 2. Rester neutre, objectif. 3. Ne traiter que les documents proposés. 4. Traiter les idées selon un plan précis. 5. Quatre pages maximum 6. Traiter tous les documents, même de façon inégale, certains documents sont plus « riches » en idées que d’autres. 7. Préférer le « on » ou le « nous ». 8. Rédiger sans titres avec des phrases de transition. 9. Confronter les idées communes aux documents. 10. Faire référence aux documents par le nom de l’auteur et l’initiale du prénom. Si ces 10 règles sont respectées, une importante partie de la méthode est acquise ! L'évaluation du travail de synthèse On se rappelle que cette épreuve est notée sur 40 points. En règle générale, les correcteurs adoptent le barème suivant qui vise à valider 4 grandes compétences, chacune notée sur 40 points. Comprendre les documents Ces 10 premiers points valident vos compétences de lecture : Les idées essentielles ont-elles été bien relevées ? Tous les documents ont-ils été bien compris ? L’unité thématique des documents doit apparaître ans le traitement des informations collectées. Confronter Le correcteur vérifiera notamment que tous les documents ont bien été exploités, qu’aucune « impasse » n’a été faite. Il sanctionnera, le cas échéant, l’ajout d’idées extérieures. Certains étudiants pensent que l’introduction d’idées extérieures vient enrichir leur travail et montre leur connaissance du sujet. Il faudra attendre l’épreuve d’écriture personnelle pour le faire. Ici, rappelons-le, seuls les documents proposés à l’étude figurent dans la synthèse. La confrontation des idées sera également évaluée : Le candidat a-t-il établi des liens entre les idées des auteurs ? Chaque partie de la rédaction repose-t-elle sur plusieurs documents ? Structurer Quelle que soit la logique suivie, la synthèse suit un plan. Introduction et conclusion doivent apparaître clairement. La rédaction suit une ligne directrice et un parcours. Les documents sont référencés, l’ensemble est organisé. Utilisez des connecteurs logiques pour lier les parties entre elles. Ils faciliteront grandement la lecture et la progression de vos idées sera plus claire. Rédiger & reformuler Une expression écrire claire est attendue. Elle respecte les normes et usages de la langue écrite courante. La richesse du vocabulaire sera valorisée. Le tout est rédigé : pas de tirets, de titres ou de tissage de citations. Les propos des auteurs sont reformulés, on sanctionnera ici toute formulation d’appréciations personnelles.

Sp. 3 En el hospital Vocab 2 10.27.17

Maak 'n 10 vraag quiz oor die volgende: 1. **B.F. Skinner (Behaviorisme):** Skinner se operante kondisioneringsteorie beklemtoon die rol van versterking en straf in die vorming van gedrag. In die konteks van huistaalontwikkeling kan ouers positiewe versterking, soos lof en aanmoediging, gebruik om taalvaardighede te versterk. Byvoorbeeld, om 'n kind te prys vir die gebruik van nuwe woorde of die vorming van sinne kan bydra tot die versterking van taalverwerwing. 2. **Ivan Pavlov (Behaviorisme):** Pavlov se klassieke kondisioneringsteorie fokus op die verband tussen stimuli en reaksies. In die huislike omgewing kan konsekwente blootstelling aan taalryke stimuli, soos om boeke te lees of gesprekke te voer, help om positiewe assosiasies met taal te skep. Dit kan bydra tot die ontwikkeling van 'n kind se taalvaardighede deur herhaalde blootstelling aan linguistiese stimuli. 3. **Jean Piaget (Kognitivisme en Konstruktivisme):** Piaget se kognitiewe ontwikkelingsteorie beklemtoon stadiums van intellektuele groei by kinders. In die huis kan ouers Piaget se idees toepas deur ouderdomsgepaste aktiwiteite en taalervarings te verskaf wat ooreenstem met 'n kind se kognitiewe stadium. Daarbenewens dui Piaget se konstruktivistiese perspektief daarop dat kinders hul begrip van taal aktief opbou deur interaksie en verkenning binne hul huislike omgewing. 4. **Lev Vygotsky (Kognitivisme en Konstruktivisme):** Vygotsky se sosiokulturele teorie beklemtoon die sosiale aard van leer en die belangrikheid van sosiale interaksies. In 'n huislike omgewing kan ouers 'n deurslaggewende rol in taalontwikkeling speel deur aan gesprekke, storievertelling en ander taalryke interaksies deel te neem. Die sone van proksimale ontwikkeling (ZPD) konsep dui daarop dat taalleer die doeltreffendste is wanneer dit binne 'n kind se ontwikkelingsgebied plaasvind, met ondersteuning van meer kundige individue, soos ouers. 5. **Jerome Bruner (Kognitivisme en Konstruktivisme):** Bruner se konstruktivistiese teorie beklemtoon die rol van aktiewe leer en ontdekking. In die huis kan ouers taalontwikkeling fasiliteer deur 'n omgewing te skep wat verkenning, gesprek en praktiese ervarings aanmoedig. Bruner se spiraalkurrikulumkonsep stel ook voor dat taalonderwerpe oor tyd herbesoek en uitgebrei word, wat bydra tot 'n kind se dieper begrip en bemeestering van taalvaardighede. 6. **Abraham Maslow (Humanisme):** Maslow se hiërargie van behoeftes identifiseer die belangrikheid daarvan om basiese behoeftes te vervul voor hoërvlakbehoeftes, insluitend selfaktualisering. In die huis spreek die verskaffing van 'n ondersteunende en koesterende omgewing 'n kind se basiese emosionele behoeftes aan, wat 'n gevoel van veiligheid bevorder wat bevorderlik is vir taalontwikkeling. Maslow se beginsels beklemtoon die belangrikheid daarvan om 'n positiewe en emosioneel veilige huislike omgewing vir optimale taalonderrig te skep. 7. **Carl Rogers (Humanisme):** Rogers se persoongesentreerde benadering beklemtoon empatie, egtheid en onvoorwaardelike positiewe agting. In die huis kan die toepassing van hierdie beginsels op kommunikasie 'n veilige ruimte skep vir kinders om hulself uit te druk. Ouers wat 'n kliëntgesentreerde kommunikasiestyl aanneem, kan gesonde taalontwikkeling bevorder deur oop dialoog aan te moedig en 'n positiewe houding teenoor taaluitdrukking te bevorder. 8. **George Siemens (Konnektivisme):** Siemens se konnektivismeteorie fokus op die belangrikheid van netwerke en verbintenisse in leer. In 'n tuisomgewing kan die benutting van tegnologie en sosiale netwerke kinders blootstel aan uiteenlopende taalinsette en -ervarings. Konnektivisme moedig die verkenning van verskeie hulpbronne aan, insluitend aanlyn taalmateriaal en interaktiewe taalleerhulpmiddels, om 'n kind se taalvaardighede te verbeter. 9. **Albert Bandura (Sosiale Leer):** Bandura se sosiale leerteorie beklemtoon die rol van waarneming en nabootsing in leer. In die huis leer kinders taal deur hul ouers en versorgers waar te neem en na te boots. Die modellering van behoorlike taalgebruik, gesprekvoering en die skep van 'n taalryke atmosfeer tuis dra by tot die sosiale aanleer van taalvaardighede. 10. **Howard Gardner (Multiple Intelligences):** Gardner se teorie van veelvuldige intelligensies dui daarop dat individue verskillende maniere het om intelligensie te leer en uit te druk. In die huis kan die erkenning en koestering van verskeie taalintelligensies, soos verbale-linguistiese of interpersoonlike intelligensies, 'n kind se unieke taalontwikkeling ondersteun. Die verskaffing van uiteenlopende taalervarings, soos storievertelling, drama of musiek, kan voorsiening maak vir verskillende taalkundige sterkpunte.

Maak 'n 10 vraag toets oor die volgende:1. **Kognitiewe Ontwikkelingsteorie:** - Kinders ontwikkel hul taalvermoë deur kognitiewe prosesse. - In die grondslagfase moet onderrig aangepas wees aan die kognitiewe ontwikkeling van die kind. - Stimuleer kreatiewe denke en vermoëns deur interaktiewe en sinnige taalaktiwiteite. 2. **Sosiale Interaksie-teorie (Vygotsky):** - Leer vind plaas binne 'n sosiale konteks. - Onderwysers moet sorg vir taalryke omgewings waar leerders met mekaar kan interageer. - Fokus op groepsaktiwiteite en samehang tussen leerders om kommunikasie te bevorder. 3. **Taalontwikkelingsmodelle (Piaget):** - Kinders gaan deur spesifieke fases van taalontwikkeling. - Rig onderrig op die unieke ontwikkelingsvlakke van kinders in die grondslagfase. - Pas aktiwiteite aan om te pas by die konkrete denkvermoëns van jong kinders. 4. **Kognitiewe Neuro-wetenskaplike Benadering:** - Verstaan die neurologiese aspekte van taalverwerwing. - Integreer sieninge van kognitiewe neuro-wetenskap in onderrigmetodes. - Bevorder taalontwikkeling deur stimulering van die relevante breingebiede. 5. **Generatiewe Taalteorie (Chomsky):** - Fokus op die aanleer van taalstrukture en grammatika. - Integreer geleenthede vir kinders om taalstrukture te eksperimenteer en toe te pas. - Moedig kreatiewe taalgebruik aan terwyl die basiese taalstrukture aangeleer word. 6. **Kontekstuele Leerteorie:** - Leer moet plaasvind in 'n konteks wat betekenisvol is vir die leerders. - In die grondslagfase moet onderrig aktiewe betrokkenheid en praktykgebaseerde leer insluit. - Skep geleenthede vir taalgebruik in alledaagse situasies. 7. **Kommunikatiewe Taalonderrig (Krashen):** - Leerders verwerf taal deur eksponering aan kommunikatiewe situasies. - Skep 'n omgewing waar kommunikasie en interaksie in Afrikaans aangemoedig word. - Fokus op funksionele taalgebruik en praktiese kommunikasie.

Elabora un cuestionario con 3 opciones múltiples, los siguientes conceptos : Concepto 1: Aduana Definición: Lugar habilitado por la autoridad aduanera para el despacho de mercancías y la prestación de servicios relacionados con el comercio exterior. Concepto 2: Autoridad Aduanera Definición: Entidad encargada de aplicar y supervisar el cumplimiento de la Ley Aduanera y las disposiciones relacionadas con el comercio exterior. Concepto 3: Mercancías Definición: Todos los objetos, productos y cosas susceptibles de ser comercializados y sujetos a importación o exportación. Concepto 4: Valor en Aduana Definición: El valor determinado de acuerdo con las normas y métodos establecidos en la Ley Aduanera y su Reglamento. Concepto 5: Declarante Definición: Persona que realiza la declaración de las mercancías ante la autoridad aduanera. Concepto 6: Importación Definición: Introducción de mercancías extranjeras al territorio aduanero. Concepto 7: Exportación Definición: Envío de mercancías nacionales o nacionalizadas fuera del territorio aduanero. Concepto 8: Despacho Aduanero Definición: Conjunto de trámites y actividades necesarios para la importación o exportación de mercancías. Concepto 9: Agente Aduanal Definición: Persona autorizada para representar a terceros en trámites aduaneros y realizar el despacho de mercancías. Concepto 10: Pedimento Definición: Documento que contiene la declaración de las mercancías y los datos necesarios para su despacho. Concepto 11: Reconocimiento Aduanero Definición: Inspección física o documental de las mercancías realizada por la autoridad aduanera. Concepto 12: Destinatario Definición: Persona a quien se envían las mercancías importadas o exportadas. Concepto 13: Pasajero Definición: Persona que cruza la frontera y lleva consigo mercancías no destinadas a la venta. Concepto 14: Régimen Aduanero Definición: Situación jurídica en la que se encuentran las mercancías en el territorio aduanero. Concepto 15: Deposito Fiscal Definición: Lugar autorizado para el resguardo de mercancías bajo control aduanero. Concepto 16: Mercancías Restringidas Definición: Mercancías cuya importación o exportación está sujeta a restricciones o regulaciones. Concepto 17: Mercancías Prohibidas Definición: Mercancías cuya importación o exportación está prohibida por ley. Concepto 18: Valor Comercial Definición: Precio al que se venden mercancías entre partes independientes en una transacción de compraventa. Concepto 19: Valor en Transacción de Mercancías Similares Definición: Valor de las mercancías importadas de características similares a las declaradas. Concepto 20: Valor en Transacción de Mercancías Idénticas Definición: Valor de las mercancías importadas que son idénticas a las declaradas. Concepto 21: Valor en Transacción de Mercancías Valoradas Definición: Valor de las mercancías importadas que no pueden ser valoradas de acuerdo con otros métodos.

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