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Animation Principles
Quiz by Anthony Price
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12 Principles of AnimationThe 12 Principles Of AnimationOne of the phenomena which had peculiarly attracted my attention was the structure of the human frame1, and, indeed, any animal endued with2 life. Whence3, I often asked myself, did the principle of life proceed? It was a bold question, and one which has ever been considered as a mystery; yet with how 5 many things are we upon the brink of4 becoming acquainted, if cowardice or carelessness did not restrain our inquiries. I revolved5 these circumstances in my mind, and determined thenceforth to apply myself more particularly to those branches of natural philosophy which relate to physiology. Unless I had been animated by an almost supernatural enthusiasm, my application to this study 10 would have been irksome, and almost intolerable. To examine the causes of life, we must first have recourse to death. I became acquainted with the science of anatomy: but this was not sufficient; I must also observe the natural decay and corruption of the human body. In my education my father had taken the greatest precautions that my mind should be impressed with no supernatural horrors. 15 I do not ever remember to have trembled at a tale of superstition, or to have feared the apparition of a spirit. Darkness had no effect upon my fancy; and a churchyard was to me merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm. Now I was led to examine the cause and progress of this decay, and forced to spend 20 days and nights in vaults and charnel-houses6. My attention was fixed upon every object the most insupportable to the delicacy of the human feelings. I saw how the fine form of man was degraded and wasted; I beheld the corruption of death succeed to the blooming cheek of life; I saw how the worm inherited the wonders of the eye and brain. I paused, examining and analysing all the minutiae 25 of causation, as exemplified in the change from life to death, and death to life, until from the midst of this darkness a sudden light broke in upon me – a light so brilliant and wondrous, yet so simple, that while I became dizzy with the immensity of the prospect which it illustrated, I was surprised that among so many men of genius who had directed their inquiries towards the same science, 30 that I alone should be reserved to discover so astonishing a secret. Remember, I am not recording the vision of a madman. The sun does not more certainly shine in the heavens, than that which I now affirm is true. Some miracle might have produced it, yet the stages of the discovery were distinct and probable. After days and nights of incredible labour and fatigue, I succeeded in 35 discovering the cause of generation and life; nay7, more I became myself capable of bestowing8 animation upon lifeless matter. The astonishment which I had at first experienced on this discovery soon gave place to delight and rapture. After so much time spent in painful labour, to arrive at once at the summit of my desires was the most gratifying 40 consummation of my toils9. But this discovery was so great and overwhelming10 that all the steps by which I had been progressively led to it were obliterated, and I beheld only the result. What had been the study and desire of the wisest men since the creation of the world was now within my grasp. Not that, like a magic scene, it all opened upon me at once: the information I had obtained was of a 45 nature rather to direct my endeavours11 so soon as I should point them towards the object of my search, than to exhibit that object already accomplished. I was like the Arabian who had been buried with the dead, and found a passage to life, aided only by one glimmering, and seemingly ineffectual12, light.AnimationANIMATION TVL ICTAnimation First Sem, Second QuarterAnimation in powerpointAnimation 2