Forward ELA: Wormy Solution to Trash | Quizalize

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Forward ELA: Wormy Solution to Trash | Quizalize

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Forward ELA: Wormy Solution to Trash

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Q 1/21
Score 0
Which idea caused Bertocchini and her team to think that the worms may have something on their bodies that breaks down the plastic?
30
the speed at which the worms were able to make holes in the plastic
the fact that holes appeared in the plastic even though the worms were not alive
the number of holes each worm made in the plastic in one hour
the possibility that other types of worms may make holes in other types of plastic
Q 2/21
Score 0
What issue do scientists hope to address with research on plastic-eating worms?
30
Air pollution from factories.
Deforestation of rainforests.
Plastic pollution in landfills and oceans.
Overfishing in the oceans.

21 questions

Q.

Which idea caused Bertocchini and her team to think that the worms may have something on their bodies that breaks down the plastic?

1

30 sec

Q.

What issue do scientists hope to address with research on plastic-eating worms?

2

30 sec

Q.

What is the title of the organization Federica Bertocchini works with?

3

30 sec

Q.

What practical use do wax worms currently have?

4

30 sec

Q.

What type of plastic did researchers find that mealworms could thrive on?

5

30 sec

Q.

Why do scientists question whether worms can effectively help with landfill pollution?

6

30 sec

Q.

What type of worms did Bertocchini experiment with?

7

30 sec

Q.

What is the main concern of Ramani Narayan regarding wax worms eating plastic?

8

30 sec

Q.

What do scientists believe might be responsible for breaking down the plastic besides the worms chewing it?

9

30 sec

Q.

How long does it take for 100 wax worms to consume one average-sized plastic bag?

10

30 sec

Q.

What was discovered about wax worms by Federica Bertocchini?

11

30 sec

Q.

What is one concern scientists have about using wax worms to address plastic pollution?

12

30 sec

Q.

What potential problem for the worms was mentioned regarding landfills?

13

30 sec

Q.

Which type of lightweight plastic did the mealworm thrive on according to a study in China?

14

30 sec

Q.

What was the primary objective of Bertocchini's research?

15

30 sec

Q.

What is necessary before using wax worms in landfills, according to the text?

16

30 sec

Q.

Why were the wax worms initially unwanted in beehives?

17

30 sec

Q.

How many holes did the worms average per worm in one hour?

18

30 sec

Q.

What did the scientists discover when they placed dead worms on plastic?

19

30 sec

Q.

What did Federica Bertocchini discover about wax worms?

20

30 sec

Q.

What type of worms did Bertocchini study?

21

30 sec

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Filmic Techniques Based on the work of Brad Smilanich Mis-en-Scene: originally a French theatrical term arrangements of all the visual elements of the stage area in film – “the contents of the frame and the way those contents are organized” include: lighting, costume, décor, props, camera movement or distance . . . all photographic decisions etc. Proxemics: Spatial relationship among characters within the mis-en-scene Rule of Thirds: a compositional rule of thumb in painting, design, photography etc. suggests image divided into 9 equal parts with two vertical and two horizontal lines important elements of the mis-en-scene should be placed along these lines and their intersections some suggest aligning with intersections makes for more interesting pictures than just centreing the subject Proxemics Camera Distance: Quite literally, how far the camera is from the subject being filmed The Hand Camera Camera Distance: Quite literally, how far the camera is from the subject being filmed Extreme Close Up: Singles out one small portion of the body or object Used to intensify emotion, or show reaction Camera Distance: Close up Shot: Shows head of character or small significant object Used to show emotions Camera Distance: Medium Shot: shows figures from the waist up allows character to be seen within background Camera Distance: Long Shot: shows figures from feet up similar to the “stage” in live theatre orients audience to figures within a location or surrounding Camera Distance: Extreme Long Shot: Sometimes called an ‘establishing shot’ Panoramic view of an exterior location orients audience to a location Camera Distance: Camera Angle: Camera’s angle of view relative to the subject being photographed High Angle Shot: looks down on the subject often used to make the subject look small and insignificant (in combination with camera distance) puts the camera (audience) in ‘power’ position Camera Angle: Low Angle Shot: looks up at the subject often used to make the subject look large and powerful puts the camera (audience) in a ‘submissive’ position Camera Angle: Flat Angle Shot: camera on same plane as the subject feels most ‘normal’ to an audience Camera Angle: Canted Shot: frame is unbalanced in relation to the subject may indicate a symbolic unbalance in the character Camera Angle: Camera Movement literally the camera moving with or around or to follow the subjects in the mis-en-scene or frame Camera Movement: Tilting Movement camera moves up or down on a horizontal axis similar to head nodding movement may be used to show subjects relation to surroundings Camera Movement: Panning Movement camera moves side to side on a vertical axis similar to head shaking movement may be used to establish setting Camera Movement: Dolly Movement camera mounted on a vehicle that moves along with the subject (camera moves, not pivots) follows the subject to signify something important Camera Movement: Crane Shot camera mounted on a crane or boom permits camera to move in & out, up & down, backward & forward often used for high aerial establishing shots Misc. 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Transitions/Editing Shot Transitions/Editing: Sound: used to reflect or enhance what is shown visually on the screen can include dialogue, music, sound effects, voiceover etc. Diegetic Sound: sound that has a source in the world of the story dialogue spoken by characters, sound made by objects, or music coming from a source grounded in the story of the film Non-diegetic Sound: sound that has a source outside the world of the story usually part of the score or the soundtrack Parallel Sound: sound that complements the image shown i.e. romantic music during a love scene Counterpoint Sound: sound that contradicts the ‘feeling’ of the image a happy song played while images of graphic violence are portrayed Voiceover: voice of a non-visible narrator laid over the scene often provides some comment about the narrative of the film Sound Bridge: used to ‘soften’ the transition between one scene and another takes sound from the next shot and overlays it on the current shot 2-3 seconds earlier than we see the image Examples of Diegetic/Non-Diegetic: In the first clip, the non-diegetic music changes to diegetic music when the main character moves inside of the convenience store. 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