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from Narrative of Frederick Douglass
Quiz by Karen Gaubatz
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Here is a transcript of a video about Narrative Writing. Generate 25 questions. Intro to Narrative Writing What is Narrative Writing? You today, I want to introduce you to the basics of narrative writing. Narrative writing is writing that tells a story. It can be real or imagined, that is, nonfiction or fiction. It has a beginning, middle, and end. That is, it includes the basic elements of a plot exposition, rising action, conflict, climax, falling action, and resolution. And it's full of interesting details. The author's purpose in writing a narrative is to entertain the reader. There are three main types of narrative writing. The first is a personal narrative when a writer shares a true story from his or her own life. We could also say this type of narrative is autobiographical. The second type of narrative is biographical when a writer shares a true story from another person's life. The third type of narrative is fictional. When a writer tells an invented story, short stories, and novels are fictional narratives. The Process of Writing a Narrative While we could add to this list, there are five important parts of a narrative that I especially want you to remember as you write your own narrative. These parts of a narrative include setting, characters, plot, point of view, and dialogue. The first part of a narrative is the setting , where, and when the narrative takes place. The setting affects both the plot and characters in your narrative, so it's important to spend some time brainstorming where, when, and in what conditions your story takes place. The second part of a narrative is the characters , the people, animals or creatures involved in a story. Remember that your story must have a protagonist, the character facing the problem, and an antagonist the character or force causing the problem. Take some time while planning your narrative to focus on your characters beyond the characters names and roles they play in the story. Think about whether you'd like them to be flat with very few character traits or round with many character traits. Also think about which characters in your story will remain static or unchanged, and which characters will be dynamic, undergoing an important change in your narrative. The third part of a narrative is the plot , the sequence of events in a narrative. Take some time to think carefully through your story's plot. How will it begin and how will it end? What conflicts will your characters encounter? What is the climax or turning point of your story? How will the problems be solved? Creating a storyboard or labeling a plot diagram are both good tools for planning your story's plot. The fourth part of a narrative is the point of view , which is the perspective from which a narrative is told. You can choose to write your narrative in first person, writing a personal narrative from your own point of view, or you can choose a character in a fictional narrative to tell your story. Another option is to write your narrative in the third person point of view, telling the story from the perspective of an unseen narrator that is not a character in the story. Finally, the fifth part of a narrative is dialogue. The words the characters speak in your story dialogue can establish the setting, show characterization, foreshadow events, or advance the action in a narrative. Dialogue brings your narrative to life. It's important to review how to punctuate dialogue, following grammatical rules for using quotation marks, commas, and other N marks such as periods and question marks. As you begin writing your narrative, I'll help you break down each step of the process. But hopefully this introduction gives you a basic understanding of what narrative writing is, and hopefully it sparks some ideas for you to begin planning your own narrative.
Filmic Techniques Based on the work of Brad Smilanich Mis-en-Scene: originally a French theatrical term arrangements of all the visual elements of the stage area in film â âthe contents of the frame and the way those contents are organizedâ include: lighting, costume, dĂ©cor, props, camera movement or distance . . . all photographic decisions etc. Proxemics: Spatial relationship among characters within the mis-en-scene Rule of Thirds: a compositional rule of thumb in painting, design, photography etc. suggests image divided into 9 equal parts with two vertical and two horizontal lines important elements of the mis-en-scene should be placed along these lines and their intersections some suggest aligning with intersections makes for more interesting pictures than just centreing the subject Proxemics Camera Distance: Quite literally, how far the camera is from the subject being filmed The Hand Camera Camera Distance: Quite literally, how far the camera is from the subject being filmed Extreme Close Up: Singles out one small portion of the body or object Used to intensify emotion, or show reaction Camera Distance: Close up Shot: Shows head of character or small significant object Used to show emotions Camera Distance: Medium Shot: shows figures from the waist up allows character to be seen within background Camera Distance: Long Shot: shows figures from feet up similar to the âstageâ in live theatre orients audience to figures within a location or surrounding Camera Distance: Extreme Long Shot: Sometimes called an âestablishing shotâ Panoramic view of an exterior location orients audience to a location Camera Distance: Camera Angle: Cameraâs angle of view relative to the subject being photographed High Angle Shot: looks down on the subject often used to make the subject look small and insignificant (in combination with camera distance) puts the camera (audience) in âpowerâ position Camera Angle: Low Angle Shot: looks up at the subject often used to make the subject look large and powerful puts the camera (audience) in a âsubmissiveâ position Camera Angle: Flat Angle Shot: camera on same plane as the subject feels most ânormalâ to an audience Camera Angle: Canted Shot: frame is unbalanced in relation to the subject may indicate a symbolic unbalance in the character Camera Angle: Camera Movement literally the camera moving with or around or to follow the subjects in the mis-en-scene or frame Camera Movement: Tilting Movement camera moves up or down on a horizontal axis similar to head nodding movement may be used to show subjects relation to surroundings Camera Movement: Panning Movement camera moves side to side on a vertical axis similar to head shaking movement may be used to establish setting Camera Movement: Dolly Movement camera mounted on a vehicle that moves along with the subject (camera moves, not pivots) follows the subject to signify something important Camera Movement: Crane Shot camera mounted on a crane or boom permits camera to move in & out, up & down, backward & forward often used for high aerial establishing shots Misc. Shots: Hand Held: camera carried to seem jerky, giving ârealistic feelâ Push In: camera moves up to a characterâs face to indicate an epiphany (realization) Spiral: camera circles subject for effect End for ELA 20-2 and 10-1 Shot Transitions/Editing: artificial editing done to string together multiple shots to create a narrative scene or sequence a cut is the change from one shot to another usually separated in to âsoftâ and âhardâ cuts Jump Cut: an instantaneous change from one shot to another this can be very natural or may disorient the audience, depending on how it is used Transitions/Editing Swish Pan: A pan where the speed of the camera is so fast that images are blurry used often to connect events in different settings that are connected by time Transitions/Editing Dissolve: transition where one shot gradually dissapears while another shot gradually appears often used to suggest change of setting or long time passage i.e. flashbacks Transitions/Editing Fade In/Out: transition where the shot gradually overexposes to white or underexposes to black often used to suggest a lengthy passage of time or change in location Transitions/Editing Wipe: transition where one shot is gradually eliminated as another shot moves onto the screen can be vertically or horizontally often suggests movement of the camera to another location Transitions/Editing Iris In/Out: transition where one shot gradually appears as an expanding circle in the middle of an old image suggests . . .??? Transitions/Editing Shot-Reverse Shot: one character is shown looking (often off-screen) at another character, and then the other character is shown looking "back" at the first character. Since the characters are shown facing in opposite directions, the viewer unconciously assumes that they are looking at each other. Transitions/Editing Two-Shot: Face-up shot of two people. Often used in interviews, or when two presenters are hosting a show. A "One-Shot" could be a mid-shot of either of these subjects. A "Three-Shot", unsurprisingly, contains three people. Transitions/Editing Shot Transitions/Editing: Sound: used to reflect or enhance what is shown visually on the screen can include dialogue, music, sound effects, voiceover etc. Diegetic Sound: sound that has a source in the world of the story dialogue spoken by characters, sound made by objects, or music coming from a source grounded in the story of the film Non-diegetic Sound: sound that has a source outside the world of the story usually part of the score or the soundtrack Parallel Sound: sound that complements the image shown i.e. romantic music during a love scene Counterpoint Sound: sound that contradicts the âfeelingâ of the image a happy song played while images of graphic violence are portrayed Voiceover: voice of a non-visible narrator laid over the scene often provides some comment about the narrative of the film Sound Bridge: used to âsoftenâ the transition between one scene and another takes sound from the next shot and overlays it on the current shot 2-3 seconds earlier than we see the image Examples of Diegetic/Non-Diegetic: In the first clip, the non-diegetic music changes to diegetic music when the main character moves inside of the convenience store. In the second clip, the âduhn duhn duuuuhâ which often is non-diegetic becomes diegetic because it is the band in the passing bus playing that music! End for ELA 20-1 Lighting: Can be used by a director to: Control the mood of a scene guide a viewerâs eye to a specific place in mis-en-scene Emphasize and de-emphasize elements in frame Add texture and color Make people look beautiful, ugly, sinister, or angelic Standard 3-Point Lighting: uses three lights called the key light, fill light and back light forms the basis of most lighting. once you understand three point lighting you are well on the way to understanding all lighting. Key Light: main light usually the strongest and has the most influence on the look of the scene. it is placed to one side of the camera/subject so that side is well lit and other side has shadow. Fill Light: secondary light is placed on the opposite side of the key light used to fill the shadows created by key softer and less bright than key Back Light: placed behind the subject ; lights it from the rear. provides definition and subtle highlights around the subject's outlines. Separates subject from background provides a three-dimensional look. Standard 3-Point Lighting: http://www.zvork.fr/vls/ Try using this simulator to play with lighting with those 3 points.
Sure! Here's a solid list of **AP English Literature vocabulary**âterms that often come up in class, essays, and the AP exam. I'll break it down into categories to make it easier to study. --- ### đ **Literary Devices & Techniques** 1. **Alliteration** â Repetition of initial consonant sounds 2. **Allusion** â A reference to another text, event, or figure 3. **Anaphora** â Repetition of a word or phrase at the beginning of successive clauses 4. **Antithesis** â Contrast of ideas in a balanced or parallel construction 5. **Apostrophe** â Addressing someone absent, dead, or nonhuman as if present and able to respond 6. **Assonance** â Repetition of vowel sounds within nearby words 7. **Asyndeton** â Omission of conjunctions between parts of a sentence 8. **Consonance** â Repetition of consonant sounds, often at the end of words 9. **Diction** â Word choice (formal, informal, colloquial, etc.) 10. **Enjambment** â Continuation of a sentence without pause beyond the end of a line in poetry --- ### đ§ **Figurative Language** 1. **Hyperbole** â Extreme exaggeration 2. **Imagery** â Descriptive language that appeals to the senses 3. **Irony** - *Verbal*: Saying the opposite of whatâs meant - *Situational*: When the outcome is the opposite of what's expected - *Dramatic*: Audience knows something characters donât 4. **Metaphor** â A direct comparison without using "like" or "as" 5. **Metonymy** â Substituting the name of one thing with something closely related (e.g. "The crown" for royalty) 6. **Synecdoche** â A part representing the whole (e.g. "All hands on deck") 7. **Personification** â Giving human traits to nonhuman things 8. **Simile** â A comparison using "like" or "as" 9. **Symbol** â An object, character, or color that represents something beyond itself --- ### âïž **Poetic & Rhetorical Terms** 1. **Caesura** â A pause in a line of poetry, often marked by punctuation 2. **Couplet** â Two lines of poetry that usually rhyme 3. **Iambic Pentameter** â A line with five iambs (unstressed-stressed syllables) 4. **Blank Verse** â Unrhymed iambic pentameter 5. **Free Verse** â Poetry with no fixed meter or rhyme 6. **Elegy** â A mournful poem, often for the dead 7. **Ode** â A lyric poem expressing emotion, often in honor of something 8. **Sonnet** â A 14-line poem with a specific rhyme scheme (Shakespearean or Petrarchan) --- ### đ **Narrative & Structure Terms** 1. **Tone** â The author's attitude toward the subject 2. **Mood** â The feeling or atmosphere the reader experiences 3. **Theme** â The central idea or message in a work 4. **Motif** â A recurring element that has symbolic significance 5. **Foil** â A character who contrasts with another character to highlight traits 6. **Foreshadowing** â Clues or hints about what will happen later 7. **Juxtaposition** â Placing two elements side by side to present a contrast 8. **Point of View** â Perspective from which the story is told (1st, 2nd, 3rd person) 9. **Stream of Consciousness** â Narrative style that mimics thoughts and feelings 10. **Frame Narrative** â A story within a story --- Want me to make flashcards, a quiz, or a PDF study guide with these? Or need help using them in a literary analysis essay?
Naturalism- A term often used as a synonym for realism; also a view of experience that is generally characterized as bleak and pessimistic; characters within this type of work often struggle unsuccessfully to exercise free will. Non Sequitur- A statement or idea that fails to follow logically from the one before Novel of Manners- A novel focusing on and describing the social customs and habits of a particular social group Novella- A work of fiction of roughly 20,000 to 50,000 words-longer than a short story, but shorter than a novel Ode -A lyric poem usually marked by serious, respectful, and exalted feelings toward the subject Old English- The Anglo-Saxon language spoken in what is now English from approximately 450 to 1150 A.D. Omniscient Narrator- A narrator with an unlimited awareness, understanding, and insight of characters, setting, background, and all other elements of the story Ottava Rima- An eight-line rhyming stanza of a poem Myth- An imaginary story that has become an accepted a part of the cultural or religious tradition of a group or society; often used to explain natural phenomena. Narrative - A form of verse or prose that tells a story
Dionysian- As distinguished from Apollonian, the word refers to sensual, pleasure-seeking impulses Dramatic Irony -A circumstance in which the audience or reader knows more about a situation than a character Elegy - A poem or prose selection that laments or meditates on the passing or death of something or someone of value Ellipsis- Three periods (...) indicating the omission of words in a thought or quotation Elliptical Construction - A sentence containing a deliberate omission of words Hyperbole- Overstatement; gross exaggeration for rhetorical effect Idyll- A lyric poem or passage that describes a kind of ideal life or place Image- A word or phrase representing that which can be seen, touched, tasted, smelled, or felt In Medias Res - A Latin term for a narrative that starts not at the beginning of events but at some other critical point Indirect Quotation A rendering of a quotation in which actual words are not stated but only approximated or paraphrased
A. Arundhati Roy B. Jhumpa Lahiri C. Salman Rushdie D. Anita Desai ________________________________________ 2. The Lowland was published in: A. 2001 B. 2013 C. 2010 D. 2005 ________________________________________ 3. Which earlier work earned Lahiri the Pulitzer Prize? A. The Namesake B. Unaccustomed Earth C. Interpreter of Maladies D. The Lowland ________________________________________ 4. The novel is primarily about: A. Technology and modernity B. Immigration, family, and political violence C. Business rivalry D. Mythology and folklore ________________________________________ 5. The two central brothers in the novel are: A. Rahul and Anil B. Subhash and Udayan C. Gogol and Ashoke D. Amit and Nikhil ________________________________________ 6. Where did the brothers grow up? A. Mumbai B. Dhaka C. Calcutta D. Delhi ________________________________________ 7. Udayan becomes involved in: A. Peace activism B. Cinema C. Naxalite movement D. Business ________________________________________ 8. Subhash moves to: A. London B. Rhode Island C. Toronto D. Chicago ________________________________________ 9. Udayan is killed in: A. Jail B. A riot C. The lowland near his house D. A car accident ________________________________________ 10. Why does Subhash marry Gauri? A. Love B. To protect her and her unborn child C. Financial benefit D. Family pressure ________________________________________ 11. Gauri eventually: A. Becomes a politician B. Starts a business C. Leaves her family D. Returns to India ________________________________________ 12. Subhash raises Bela: A. With Gauri B. Alone C. With help from his parents D. In India ________________________________________ 13. Bela grows up believing: A. Udayan is her father B. Subhash is her father C. She has no father D. Her father died in war ________________________________________ 14. The setting of political unrest is linked to: A. Partition B. Naxalbari uprising C. Independence movement D. Civil War ________________________________________ 15. The narrative style uses: A. Magical realism B. Non-linear structure C. Poetry D. Second-person narration ________________________________________ 16. Gauriâs character represents: A. Traditional motherhood B. Obedient wife C. Intellectual autonomy and emotional detachment D. Political activism ________________________________________ 17. Belaâs character signifies: A. Rebellion against education B. Second-generation identity struggle C. Complete assimilation D. Materialistic living ________________________________________ 18. Memory in the novel functions as: A. A simple recollection B. A haunting presence affecting identity C. A forgotten history D. A symbolic decoration ________________________________________ 19. The lowland itself symbolizes: A. Wealth B. Stability C. Transitional, unstable space D. Escape ________________________________________ 20. Lahiriâs prose style can be described as: A. Flowery and ornate B. Minimalistic and restrained C. Dramatic and verbose D. Highly poetic ________________________________________ 21. Water imagery reflects: A. Joy and happiness B. Power and victory C. Memory and emotional fluidity D. Evil ________________________________________ 22. Which theory applies strongly to this novel? A. Structuralism B. Postcolonial hybridity C. Absurdism D. Modernism ________________________________________ 23. Postcolonial hybridity is linked to: A. Complete assimilation B. Identity in-between cultures C. Traditional values D. Language fluency alone ________________________________________ 24. Which character best reflects second-generation identity conflict? A. Gauri B. Bela C. Subhash D. Udayan ________________________________________ 25. What does Subhash struggle with most? A. Career failure B. Language C. Guilt and secrecy D. Wealth ________________________________________ 26. Udayanâs ideology centers on: A. Business growth B. Armed communist revolution C. Religious reform D. Education ________________________________________ 27. The novel shows how political violence leads to: A. Personal healing B. Economic prosperity C. Emotional trauma across generations D. Cultural unity ________________________________________ 28. Betrayal appears as: A. Only political B. Only emotional C. Both political and familial D. A background idea ________________________________________ 29. The genre of the text best fits: A. Fantasy B. Realistic political family saga C. Science fiction D. Thriller ________________________________________ 30. The narrative constantly shifts between: A. Dream and reality B. India and America C. Past and future India D. Fiction and nonfiction ________________________________________ 31. Homi Bhabhaâs "third space" represents: A. Physical land B. A zone of cultural in-betweenness C. A literal building D. A heavenlike vision ________________________________________ 32. Gauri symbolizes: A. Traditional widowhood B. Female agency vs social expectation C. Blind loyalty D. Economic dependence ________________________________________ 33. Bela unknowingly inherits: A. Udayanâs ideology B. Gauriâs academic passion only C. Subhashâs calmness D. Grandparentsâ wealth ________________________________________ 34. Lahiri uses silence to: A. Avoid details B. Deepen psychological complexity C. Reduce story relevance D. Simplify events ________________________________________ 35. A major structural device is: A. Letters B. Non-linear flashbacks C. Mythic storytelling D. Metafiction ________________________________________ 36. Which text offers a migrant theme comparison? A. The God of Small Things B. The White Tiger C. The Namesake D. Train to Pakistan ________________________________________ 38. The Naxalite movement first emerged in: A. Mumbai B. Naxalbari village C. Delhi D. Kerala ________________________________________ 39. Which theme repeats strongly? A. Celebration of success B. Silence and secrets C. Fantasy D. Heroism ________________________________________ 40. What does Bela do as an adult? A. Becomes a doctor B. Engages in environmental activism C. Joins corporate life D. Moves into politics ________________________________________ 41. The immigrant experience in the novel is portrayed as: A. Full belonging B. Alienation and partial belonging C. Achievement D. Liberation ________________________________________ 42. Which idea does Lahiri question through Gauri? A. Heroism B. Maternal expectation C. Religious devotion D. Wealth ________________________________________ 43. Subhash represents: A. Pure rebellion B. Survival and adaptation C. Anti-immigrant sentiment D. Total withdrawal ________________________________________ 44. Lahiriâs writing expects readers to: A. Passively accept the plot B. Read emotional subtext in silences C. Ignore symbols D. Only enjoy the story ________________________________________ 45. The lowland as a metaphor mainly signifies: A. Joy B. Unstable cultural ground C. Triumph D. Isolation from family ________________________________________ 46. Why is The Lowland considered significant? A. Its fantasy themes B. Its deep engagement with politics & identity C. Its humor D. Its romantic style ________________________________________ 47. Which comparative author also writes about diaspora identity? A. Chetan Bhagat B. Amitav Ghosh C. Premchand D. Ruskin Bond ________________________________________ 48. Udayanâs death drives the plot because: A. Family hides it B. It forces new relationships & trauma C. People forget him D. It has no consequence ________________________________________ 49. The narrative ends emphasizing: A. Closure and peace B. Lasting consequences of secrets C. National identity D. Religious conflict ________________________________________ 50. Scholars study this work because it explores: A. Only Indian history B. Trauma, diaspora, gender & politics C. Folk storytelling D. Comedy
______ the sun set, the temperature began to drop. A) After B) While C) Since She studied all night for her test. ______, she was confident when she walked into class. A) Meanwhile B) As a result C) Before We arrived at the park early. ______, we set up our picnic and waited for the others to arrive. A) First B) Later C) Then The alarm rang loudly. ______, I jumped out of bed and rushed to get ready. A) Before B) Immediately C) Eventually The Wright brothers made their first successful flight in 1903. ______, air travel has advanced significantly. A) Since then B) Before C) Meanwhile Example Paragraphs (Choose the Best Transition Word) Cooking Instructions First, preheat the oven to 375°F. ______, mix the flour, sugar, and baking powder in a large bowl. Next, add the eggs and milk, stirring until smooth. (Options: Then, Before, While) Historical Events The Declaration of Independence was signed in 1776. ______, the United States officially became a separate nation from Britain. (Options: As a result, Before, However) Personal Narrative I packed my bags and headed to the airport. ______, I realized I had forgotten my passport at home. (Options: Later, Suddenly, Before) Daily Routine Every morning, I wake up at 6 AM. ______, I brush my teeth and make a cup of coffee. (Options: First, Afterward, Meanwhile) Science Explanation The caterpillar forms a chrysalis. ______, it undergoes metamorphosis and transforms into a butterfly. (Options: Eventually, Meanwhile, Before)
Write questions similar to ______ the sun set, the temperature began to drop. A) After B) While C) Since She studied all night for her test. ______, she was confident when she walked into class. A) Meanwhile B) As a result C) Before We arrived at the park early. ______, we set up our picnic and waited for the others to arrive. A) First B) Later C) Then The alarm rang loudly. ______, I jumped out of bed and rushed to get ready. A) Before B) Immediately C) Eventually The Wright brothers made their first successful flight in 1903. ______, air travel has advanced significantly. A) Since then B) Before C) Meanwhile Example Paragraphs (Choose the Best Transition Word) Cooking Instructions First, preheat the oven to 375°F. ______, mix the flour, sugar, and baking powder in a large bowl. Next, add the eggs and milk, stirring until smooth. (Options: Then, Before, While) Historical Events The Declaration of Independence was signed in 1776. ______, the United States officially became a separate nation from Britain. (Options: As a result, Before, However) Personal Narrative I packed my bags and headed to the airport. ______, I realized I had forgotten my passport at home. (Options: Later, Suddenly, Before) Daily Routine Every morning, I wake up at 6 AM. ______, I brush my teeth and make a cup of coffee. (Options: First, Afterward, Meanwhile) Science Explanation The caterpillar forms a chrysalis. ______, it undergoes metamorphosis and transforms into a butterfly. (Options: Eventually, Meanwhile, Before)