Read the following excerpt from Chapter 1 and use it to choose the BEST answer to questions 1-2: When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction — Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the “creative temperament.”— it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. 1. Which of the following BEST describes Nick's attitude towards Gatsby?

2. How have Nick's experiences in the war changed him?

Read the following excerpt from Chapter 1 and use it to choose the BEST answer to questions 3-4. The silhouette of a moving cat wavered across the moonlight, and turning my head to watch it, I saw that I was not alone — fifty feet away a figure had emerged from the shadow of my neighbor’s mansion and was standing with his hands in his pockets regarding the silver pepper of the stars. Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens. I decided to call to him. Miss Baker had mentioned him at dinner, and that would do for an introduction. But I didn’t call to him, for he gave a sudden intimation that he was content to be alone — he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward — and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness. 3. How might Gatsby's actions in this excerpt symbolize his character?

4. Which word is closest in meaning to the word "leisurely"?

Read the following excerpt from Chapter 2 and use it to choose the BEST answer to questions 5-6: About half way between West Egg and New York the motor road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight. But above the gray land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic — their irises are one yard high. They look out of no face, but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness, or forgot them and moved away. But his eyes, dimmed a little by many paintless days, under sun and rain, brood on over the solemn dumping ground. The valley of ashes is bounded on one side by a small foul river, and, when the drawbridge is up to let barges through, the passengers on waiting trains can stare at the dismal scene for as long as half an hour. There is always a halt there of at least a minute, and it was because of this that I first met Tom Buchanan’s mistress. 5. Which word best describes the setting of this excerpt?

6. Why is it fitting that "there is always a halt" with the train in the valley of ashes?

Read the following excerpt from Chapter 2 and use it to choose the BEST answer to questions 7: I wanted to get out and walk southward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life. 7. What does this excerpt reveal about Nick's character?

Read the following excerpt from Chapter 3 and use it to choose the BEST answer to questions 8-10: A stout, middle-aged man, with enormous owl-eyed spectacles, was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. As we entered he wheeled excitedly around and examined Jordan from head to foot. “What do you think?” he demanded impetuously. “About what?” He waved his hand toward the book-shelves. “About that. As a matter of fact you needn’t bother to ascertain. I ascertained. They’re real.” “The books?” He nodded. “Absolutely real — have pages and everything. I thought they’d be a nice durable cardboard. Matter of fact, they’re absolutely real. Pages and — Here! Lemme show you.” Taking our scepticism for granted, he rushed to the bookcases and returned with Volume One of the “Stoddard Lectures.” “See!” he cried triumphantly. “It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco. It’s a triumph. What thoroughness! What realism! Knew when to stop, too — didn’t cut the pages. But what do you want? What do you expect?” 8. What expectation does Owl Eyes have about Gatsby's books?

9. What does Gatsby's library symbolize about the time period of the novel?

10. What do Gatsby's books symbolize about himself?

Read the following excerpt from Chapter 4 and use it to choose the BEST answer to questions 11-12: “Who is he, anyhow, an actor?” “No.” “A dentist?” “Meyer Wolfsheim? No, he’s a gambler.” Gatsby hesitated, then added coolly: “He’s the man who fixed the World’s Series back in 1919.” “Fixed the World’s Series?” I repeated. The idea staggered me. I remembered, of course, that the World’s Series had been fixed in 1919, but if I had thought of it at all I would have thought of it as a thing that merely HAPPENED, the end of some inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people — with the single-mindedness of a burglar blowing a safe. “How did he happen to do that?” I asked after a minute. “He just saw the opportunity.” “Why isn’t he in jail?” “They can’t get him, old sport. He’s a smart man.” 11. How does Nick's description of the 1919 World Series being "fixed" reveal his opinion of Meyer Wolfshiem?

12. What can we infer about Gatsby given his relationship with and respect for Meyer Wolfshiem?

Read the following excerpt from Chapter 5 and use it to choose the BEST answer to questions 13-14: Gatsby, his hands still in his pockets, was reclining against the mantelpiece in a strained counterfeit of perfect ease, even of boredom. His head leaned back so far that it rested against the face of a defunct mantelpiece clock, and from this position his distraught eyes stared down at Daisy, who was sitting, frightened but graceful, on the edge of a stiff chair. “We’ve met before,” muttered Gatsby. His eyes glanced momentarily at me, and his lips parted with an abortive attempt at a laugh. Luckily the clock took this moment to tilt dangerously at the pressure of his head, whereupon he turned and caught it with trembling fingers, and set it back in place. Then he sat down, rigidly, his elbow on the arm of the sofa and his chin in his hand. “I’m sorry about the clock,” he said. My own face had now assumed a deep tropical burn. I couldn’t muster up a single commonplace out of the thousand in my head. “It’s an old clock,” I told them idiotically. I think we all believed for a moment that it had smashed in pieces on the floor. 13. Which of the following best describes the tone of this section?

14. Given what you know about the rest of the book, what could the clock in this excerpt symbolize?

Read the following excerpt from Chapter 5 and use it to choose the BEST answer to questions 15-19: As I went over to say good-by I saw that the expression of bewilderment had come back into Gatsby’s face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams — not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart. 15. Which word is closest in meaning to "bewilderment" as used in this excerpt?

16. Why does Gatsby feel bewildered?

17. How is Gatsby viewing Daisy in this excerpt, according to Nick?

18. What does the sentence, "No amount of fire or freshness can challenge what a man will store up in his ghostly heart" mean?

19. Which phrase best supports the answer to question 18?

Read the following excerpt from Chapter 6 and use it to choose the BEST answer to questions 20-21: He wanted nothing less of Daisy than that she should go to Tom and say: “I never loved you.” After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken. One of them was that, after she was free, they were to go back to Louisville and be married from her house — just as if it were five years ago. “And she doesn’t understand,” he said. “She used to be able to understand. We’d sit for hours ——” He broke off and began to walk up and down a desolate path of fruit rinds and discarded favors and crushed flowers. “I wouldn’t ask too much of her,” I ventured. “You can’t repeat the past.” “Can’t repeat the past?” he cried incredulously. “Why of course you can!” 20. Why is it so important to Gatsby that Daisy tells Tom that she never loved him?

21. Which word is closest in meaning to "desolate"?

Read the following excerpt from Chapter 7 and use it to choose the BEST answer to questions 22-25: “She’ll be all right tomorrow,” he said presently. “I’m just going to wait here and see if he tries to bother her about that unpleasantness this afternoon. She’s locked herself into her room, and if he tries any brutality she’s going to turn the light out and on again.” “He won’t touch her,’ I said. “He’s not thinking about her.” “I don’t trust him, old sport.” “How long are you going to wait?” “All night, if necessary. Anyhow, till they all go to bed.” A new point of view occurred to me. Suppose Tom found out that Daisy had been driving. He might think he saw a connection in it — he might think anything. I looked at the house; there were two or three bright windows down-stairs and the pink glow from Daisy’s room on the second floor. “You wait here,” I said. “I’ll see if there’s any sign of a commotion.” I walked back along the border of the lawn, traversed the gravel softly, and tiptoed up the veranda steps. The drawingroom curtains were open, and I saw that the room was empty. Crossing the porch where we had dined that June night three months before, I came to a small rectangle of light which I guessed was the pantry window. The blind was drawn, but I found a rift at the sill. Daisy and Tom were sitting opposite each other at the kitchen table, with a plate of cold fried chicken between them, and two bottles of ale. He was talking intently across the table at her, and in his earnestness his hand had fallen upon and covered her own. Once in a while she looked up at him and nodded in agreement. They weren’t happy, and neither of them had touched the chicken or the ale — and yet they weren’t unhappy either. There was an unmistakable air of natural intimacy about the picture, and anybody would have said that they were conspiring together. 22. Why does Nick decide to spy on Daisy and Tom?

23. What does this excerpt reveal about Tom and Daisy's relationship following the accident?

24. Which phrase BEST supports the answer to question 23?

25. What is the BEST meaning of the word "conspiring"?

Read the following excerpt from Chapter 8 and use it to choose the BEST answer to questions 26-27: “I don’t think she ever loved him.” Gatsby turned around from a window and looked at me challengingly. “You must remember, old sport, she was very excited this afternoon. He told her those things in a way that frightened her — that made it look as if I was some kind of cheap sharper. And the result was she hardly knew what she was saying.” He sat down gloomily. “Of course she might have loved him just for a minute, when they were first married — and loved me more even then, do you see?” Suddenly he came out with a curious remark. “In any case,” he said, “it was just personal.” What could you make of that, except to suspect some intensity in his conception of the affair that couldn’t be measured? 26. Which word is closest in meaning to "sharper"?

27. How does Nick interpret Gatsby's line, "In any case, it was just personal"?

Read the following excerpt from Chapter 9 and use it to choose the BEST answer to questions 28-29: And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther… And one fine morning —— So we beat on, boats against the current, borne back ceaselessly into the past. 28. According to Nick, Gatsby's dream:

29. According to Nick, the green light represents: