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How It Feels to Be Colored Me

Quiz by Abdul Rahman

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19 questions
Show answers
  • Q1
    Hurston reports that she "lived in the little town of Eatonville, Florida" until she was how old?
    5 years
    7 years
    13 years
    17 years
    30s
  • Q2
    According to Hurston, white people would pass through Eatonville on their way to or from what large Florida city?
    Orlando
    Jacksonville
    Hialeah
    Tampa
    30s
  • Q3
    Hurston recalls that when greeting travelers as a child her "favorite place" to perch was atop
    her brother's shoulders
    the water barrel
    the gatepost
    the automobile
    30s
  • Q4
    Hurston interprets her move from Eatonville to Jacksonville as a personal transformation: from "Zora of Orange County" to
    a Florida author
    a little colored girl
    Zora Neale of Duval County
    an African-American leader
    30s
  • Q5
    Hurston employs a metaphor to demonstrate that she does not accept the self-pitying role of a victim. What is that metaphor?
    I am too busy sharpening my oyster knife.
    I am the queen of the hill.
    I am guided by the star--and by a still small voice.
    I am searching for treasure and digging for gold.
    30s
  • Q6
    Hurston employs another metaphor to evaluate the effects of slavery ("sixty years in the past") on her life. What is that metaphor?
    One chapter has closed; another has begun.
    The operation was successful, and the patient is doing well.
    That dark night of the soul has been transformed by a glorious sunrise.
    That dark road has led to a bright highway.
    30s
  • Q7
    When Hurston recalls sitting in The New World Cabaret, she introduces the metaphor of a wild animal, which "rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond." What is she describing with this metaphor?
    a jazz orchestra
    the street noise of New York City
    race riots in major American cities in the 1920s
    the hatred felt by black people
    30s
  • Q8
    According to Hurston, how does her white male companion respond to the music that has affected her so deeply?
    He says, "Good music they have here."
    He storms out of the club.
    He continues to talk about his stock options, oblivious to the music.
    "Music from hell," he says.
    30s
  • Q9
    Toward the end of the essay, Hurston refers to Peggy Hopkins Joyce, an American actress known in the 1920s for her lavish lifestyle and scandalous affairs. In comparison to Joyce, Hurston says that she herself is
    an invisible woman, unnoticed by fans and reporters
    far more respectable
    a much more talented actress
    the cosmic Zora . . . the eternal feminine with its string of beads
    30s
  • Q10
    In the final paragraph of the essay, Hurston compares herself to
    a beacon light of truth.
    a brown bag of miscellany
    an actor in a play
    the Great Stuffer of Bags
    30s
  • Q11
    Zora still feels the pain of slavery
    True
    False
    30s
  • Q12
    By using the word "Hegira", Zora is referring to
    Her journey of transformation
    The migration of Muhammad
    A jazz song
    Her plan to search for her African roots
    30s
  • Q13
    "The sobbing school of Negrohood" is referring to
    The term that Whites give the Blacks
    Negroes who complain about the past
    A new jazz group
    the segregated school she attended
    30s
  • Q14
    "I shall get twice as much praise or twice as much blame." In this phrase, the figure of speech used is
    parallelism
    metaphor
    imagery
    simile
    30s
  • Q15
    "Among the thousand white persons, I am a dark rock surged upon, and overswept, but through it all, I remain myself. When covered by the waters, I am; and the ebb but reveals me again." The figure of speech used is
    metaphor
    hyperbole
    simile
    analogy
    30s

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