It is the way in which the meaning of a media text is conveyed to the audience.

This type of media language refers to body language: gestures and actions.

This type of media language refers to what we see on the screen.

This type of media language refers to diegetic or non diegetic sound and help us to define the genre of a piece.

This type of media language refers to the print-based media, also in text such as captions for photographs.

This type of media language refers to how the language is delivered and and its context used to generate the meaning for the audiences

These are the accepted ways of using media codes.

It tends to be understood to constitute particular conventions of contents and to follow a distinctive style in terms of form and presentation.

Are systems of signs that when put together create meaning

This category of code includes printed language, which is the text you can see within the frame and how it is presented, and also spoken language, which includes dialogue and song lyrics.

This category of code includes all the ways in which equipment is used to tell the story in a media text, for example the camera work in a film.

This category of code includes the language, dress and actions of characters.

This type of convention point to the common use of tropes, characters, settings, or themes in a particular type of medium.

This type of convention refer to the certain ways we expect types of media’s codes to be arranged.

This type of convention refer to the common narrative structures and understandings that are common in storytelling media products.

It builds up the atmosphere.

This refers to the subject, or a specific theme in a scene or the entire film.

It can influence our interpretation of character as contribution to atmosphere of the film

It is the extraction of meaningful information from images; mainly form digital images by means of digital image processing techniques.

It is the study of signs and symbols, discusses the literal and potential meanings.

It is the border between the space we are allowed to see and that which is out of our sight.

It is the border between the space we are allowed to see and that which is out of our sight.

It is often seen as the principal vehicle by which a film’s meaning is conveyed.

This refers to the speed at which the film responds to light.

It refers to the camera’s angle in relation to the vertical.

This refers to the camera’s horizontal angle.

This refers to the distance between the nearest and farthest area from the camera which is in focus.

It shines from behind the subject, usually to differentiate it from the background.

It is the main source of illumination and is directed on the subject, usually from 45 degrees above and to one side of the camera.

It is the soft or indirect light that “fills” is the shadows formed by the key light.