Which is an example of an internal conflict?

A boy feels nervous about speaking in front of the class.

A boy helps his friend carry books.

A boy builds a treehouse with his father.

A boy plays soccer with his team.

What does it mean to visualize a story?

imagine the events in your mind

Why should you edit a story before sharing it?

so the audience can focus on the story instead of mistakes

to remove parts you don’t like

Which step happens during editing?

correcting grammar and spelling

Which is an example of a conflict?

Two sisters argue over who will feed the dog.

Two friends play nicely together.

Primary 1 English Practice Quiz Modules 1-6

P1_(21.03)_Numbers, Numbers Everwhere, Circles and Squares, ELT Skills Primary 1

1. Multiple Choice** 1. When do children in England and Wales usually go to nursery school? a) At age 2 b) At age 3 or 4 c) At age 5 d) At age 7 **Answer:** b) At age 3 or 4 2. How many years do children stay in primary school? a) 4 years b) 5 years c) 6 years d) 7 years **Answer:** c) 6 years 3. At what age do students start secondary school? a) 5 b) 9 c) 11 d) 13 **Answer:** c) 11 4. When can students leave school if they don’t want to continue? a) At 14 b) At 15 c) At 16 d) At 18 **Answer:** c) At 16 5. What is a mixed school? a) A school for boys only b) A school for girls only c) A school for both boys and girls d) A school for older students only **Answer:** c) A school for both boys and girls --- **2. True or False** 6. Students usually have to study between the ages of 5 and 18. **Answer:** True 7. University usually lasts one year. **Answer:** False (it usually lasts 3 or 4 years) 8. Some parents pay for private schools, but most children go to state schools. **Answer:** True 9. At age 16, students take A-level exams. **Answer:** False (they take GCSE exams at 16, A-levels later) --- **3. Short Answer** 10. What three main subjects do all students study until Year Eleven? **Answer:** English, Maths, and Science 11. What exams do students take at age 16? **Answer:** GCSE exams 12. What do students have to do a lot before exams? **Answer:** Revise (study) 13. What can students do if they fail an exam? **Answer:** Retake the exam 14. What is another word for a “state school” in Britain? **Answer:** Public school ---

What Is Rhythm in Music? Rhythm is the pattern of sound, silence, and emphasis in a song. In music theory, rhythm refers to the recurrence of notes and rests (silences) in time. When a series of notes and rests repeats, it forms a rhythmic pattern. In addition to indicating when notes are played, musical rhythm also stipulates how long they are played and with what intensity. This creates different note durations and different types of accents.Why Is Rhythm Important in Music? Rhythm functions as the propulsive engine of a piece of music, and it gives a composition structure. Most musical ensembles contain a rhythm section responsible for providing the rhythmic backbone for the entire group. Drums, percussion, bass, guitar, piano, and synthesizer may all be considered rhythm instruments, depending on the context. However, all members of a music group bear responsibility for their own rhythmic performances and play the musical beats and rhythmic patterns indicated by the piece's composer.7 Elements of Rhythm in Music Several core elements comprise the fundamentals of musical rhythm. 1. Time signature: A musical time signature indicates the number of beats per measure. It also indicates how long these beats last. In a time signature with a 4 on the bottom (such as 2/4, 3/4, 4/4, 5/4, etc.), a beat corresponds with a quarter note. So in a 4/4 time (also known as "common time"), each beat is the length of a quarter note, and every four beats form a full measure. In 5/4 time, every five beats form a full measure. In a time signature with an 8 on the bottom (such as 3/8, 6/8, or 9/8), a beat corresponds with an eighth note. 2. Meter: Standard Western music theory divides time signatures into three types of musical meter: duple meter (where beats appear in groups of two), triple meter (where beats appear in groups of three), and quadruple meter (where beats appear in groups of four). Meter is not tied to note values; for instance, a triple meter could involve three half notes, three quarter notes, three eighth notes, three sixteenth notes, or three notes of any duration. Musicians and composers regularly mix duple and triple meter in their work; Igor Stravinsky's "The Rite of Spring" is a textbook example of such a technique. 3. Tempo: Tempo is the speed at which a piece of music is played. There are three primary ways that tempo is communicated to players: beats per minute, Italian terminology, and modern language. Beats per minute (or BPM) indicates the number of beats in one minute. Certain Italian words like largo, andante, allegro, and presto convey tempo change by describing the speed of the music. Finally, some composers indicate tempo with casual English words such as “fast,” “slow,” “lazy,” “relaxed,” and “moderate.” 4. Strong beats and weak beats: Rhythm combines strong beats and weak beats. Strong beats include the first beat of each measure (the downbeat), as well as other heavily accented beats. Both popular music and classical music combine strong beats and weak beats to create memorable rhythmic patterns. 5. Syncopation: Syncopated rhythms are those that do not align with the downbeats of individual measures. A syncopated beat will put its emphasis on traditional weak beats, such as the second eighth note in a measure of 4/4. Complex rhythms tend to include syncopation. While these rhythms may be more difficult for a beginning musician to pick up, they tend to sound more striking than non-syncopated rhythmic patterns. 6. Accents: Accents refer to special emphases on certain beats. To understand accents, think of a piece of poetry. A poetic meter, such as iambic pentameter, may dictate a specific mixture of stressed syllables and unstressed syllables. Musical accents are no different. Different rhythms may share a time signature and tempo, but they stand out from one another by accenting different notes and beats. 7. Polyrhythms: To achieve a particularly ambitious sense of rhythm, an ensemble may employ polyrhythm, which layers one type of rhythm on top of another. For instance, a salsa percussion ensemble may feature congas and bongos playing 4/4 time, while the timbales concurrently play a pattern in 3/8. This creates a dense rhythmic stew and, when properly executed, it can yield incredibly danceable rhythm patterns. Polyrhythms originated in African drumming, and they’ve spread to all sorts of genres worldwide, from Afro-Caribbean to Indian to progressive rock, jazz, and contemporary classical.

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