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Rio Bravo Exercises Activity

Quiz by Laura Conrad

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16 questions
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  • Q1

    You will need your Rio Bravo Exercises. Look at the key signature - What key are we in?

    Hint - You can go to your warm-up packet and look at pages 26-32. Look at the key signatures of those pages and figure out which one matches Rio Bravo. 

    Concert Bb

    Concert F

    Concert Eb

    30s
  • Q2

    You are in the key of concert Eb. Based on the key signature, which of the following notes should you play (unless otherwise marked by an accidental)?

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    30s
  • Q3

    Look at exercise 1A. How would you count the rhythm in measure 1?

    ONE AND TWO THREE FOUR

    ONE  AND THREE FOUR

    ONE TWO THREE FOUR

    OONNEE THREE FOUR

    30s
  • Q4

    Keep looking at exercise 1A. Look at the 2nd line, 2nd measure. What is the 2nd note?

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    30s
  • Q5

    Keep looking at that same measure. What is the 4th note?

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    30s
  • Q6

    Look at Exercise 1B. Look at measure 4 (notice that measure 1 is all rests). What is the note on the "and" of 2?

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    30s
  • Q7

    In the last question, you should've determined the note on the & of 2 was an E natural for flutes/lows/perc, an F# for clarinets/trumpets, a B for horns, and a C# for saxes. What is the fingering?

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    30s
  • Q8

    Look at Exercise 1C. Measures 1, 2, 3, and 5 use a special type of rhythm that we have been talking about and practicing in class and with our bell ringers. What is that term?

    Users re-arrange answers into correct order
    Jumble
    30s
  • Q9

    Exercise 1C features syncopation. What does syncopation mean?

    It means you play everything accented

    It means you are putting the emphasis on the weak beat or the "and"s

    It means you have a lot of staccatos

    30s
  • Q10

    Look at exercise 2A. How would you count measure 1?

    ONE AND TWO THREE FOUR AND

    ONE TWO AND THREE FOUR AND

    ONE TWO AND FOUR AND

    30s
  • Q11

    Look at exercise 2B. Look at measure 5. What is the name of the note with the accidental? 

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    30s
  • Q12

    The note you were just looking at was a B for the flutes/lows/perc, C# for clarinet/trumpet, F# for horns, and G# for saxes. In measure 6, it appears on beat 2. Are the rest of the notes in that measure the same note?

    Yes - the accidental stays for the rest of the measure. 

    No - You should switch back to Bb or C or F or G because the other notes don't have the accidental

    30s
  • Q13

    Look at exercise 2B, measure 8. You have a half note plus a syncopated rhythm but there is a tie involved. First, how would you count it if the tie WAS NOT there?

    OONNEE THREE FOUR AND

    OONNEE THREE AND FOUR

    OONNEE THREE AND FOUR AND

    OONNEE THREE AND AND

    30s
  • Q14

    In the last question, you should've determined the correct answer was OONNEE THREE AND AND. If that tie is a "Ties is lies" situation, how would you count that rhythm if we got rid of the tied note and turned it into a rest?

    OONNEE --  AND FOUR

    OONNEE -- AND AND

    OONNEE --- FOUR AND

    OONNEE --- AND FOUR AND

    30s
  • Q15

    Look at exercise 3a. How would you count the rhythm in measure 1 if the tie WAS NOT there?

    ONE AND TWO AND THREE AND AND

    ONE AND TWO AND THREE AND FOUR AND

    ONE AND TWO AND THREE FOUR AND

    ONE AND TWO AND THREE AND FOUR

    30s

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