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The part of a narrative text that introduces characters, setting, and time is calledā¦
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āThe part of a narrative text that introduces characters, setting, and time is calledā¦
Complication
Resolution
Re-orientation
OrientationĀ
āThe section where the problem or conflict starts is known asā¦
ComplicationĀ
Resolution
Orientation
Title
The part of a narrative text that introduces characters, setting, and time is calledā¦
The section where the problem or conflict starts is known asā¦
Even if the story ends sadly, the last part is still calledā¦
In the Complication part, we usually findā¦
"Long ago, there lived a beautiful woman named Dayang Sumbi and her son, Sangkuriang."This sentence shows theā¦
"One day, Sangkuriang fell in love with his own mother, Dayang Sumbi, without knowing the truth."This part representsā¦
Which sentence is part of the Orientation in Malin Kundang?
āCinderella wanted to go to the royal ball, but her stepmother forbade her.āThis sentence is an example ofā¦
The correct order of narrative text structure isā¦
"Finally, the prince found Cinderella and they lived happily ever after."This sentence belongs toā¦
Which of the following is NOT a Complication?
Cinderella cried because she could not go to the ball.
"Dayang Sumbi asked Sangkuriang to build a big boat in one night, but he failed. So, he got angry and kicked the boat, which became Mount Tangkuban Perahu."This part describes theā¦
āDayang Sumbi asked Sangkuriang to build a large boat before sunrise.āThis sentence shows theā¦
āMalin was ashamed to admit his mother because she looked poor.āThis sentence is part ofā¦
Sure! Here's a solid list of **AP English Literature vocabulary**āterms that often come up in class, essays, and the AP exam. I'll break it down into categories to make it easier to study. --- ### š **Literary Devices & Techniques** 1. **Alliteration** ā Repetition of initial consonant sounds 2. **Allusion** ā A reference to another text, event, or figure 3. **Anaphora** ā Repetition of a word or phrase at the beginning of successive clauses 4. **Antithesis** ā Contrast of ideas in a balanced or parallel construction 5. **Apostrophe** ā Addressing someone absent, dead, or nonhuman as if present and able to respond 6. **Assonance** ā Repetition of vowel sounds within nearby words 7. **Asyndeton** ā Omission of conjunctions between parts of a sentence 8. **Consonance** ā Repetition of consonant sounds, often at the end of words 9. **Diction** ā Word choice (formal, informal, colloquial, etc.) 10. **Enjambment** ā Continuation of a sentence without pause beyond the end of a line in poetry --- ### š§ **Figurative Language** 1. **Hyperbole** ā Extreme exaggeration 2. **Imagery** ā Descriptive language that appeals to the senses 3. **Irony** - *Verbal*: Saying the opposite of whatās meant - *Situational*: When the outcome is the opposite of what's expected - *Dramatic*: Audience knows something characters donāt 4. **Metaphor** ā A direct comparison without using "like" or "as" 5. **Metonymy** ā Substituting the name of one thing with something closely related (e.g. "The crown" for royalty) 6. **Synecdoche** ā A part representing the whole (e.g. "All hands on deck") 7. **Personification** ā Giving human traits to nonhuman things 8. **Simile** ā A comparison using "like" or "as" 9. **Symbol** ā An object, character, or color that represents something beyond itself --- ### āļø **Poetic & Rhetorical Terms** 1. **Caesura** ā A pause in a line of poetry, often marked by punctuation 2. **Couplet** ā Two lines of poetry that usually rhyme 3. **Iambic Pentameter** ā A line with five iambs (unstressed-stressed syllables) 4. **Blank Verse** ā Unrhymed iambic pentameter 5. **Free Verse** ā Poetry with no fixed meter or rhyme 6. **Elegy** ā A mournful poem, often for the dead 7. **Ode** ā A lyric poem expressing emotion, often in honor of something 8. **Sonnet** ā A 14-line poem with a specific rhyme scheme (Shakespearean or Petrarchan) --- ### š **Narrative & Structure Terms** 1. **Tone** ā The author's attitude toward the subject 2. **Mood** ā The feeling or atmosphere the reader experiences 3. **Theme** ā The central idea or message in a work 4. **Motif** ā A recurring element that has symbolic significance 5. **Foil** ā A character who contrasts with another character to highlight traits 6. **Foreshadowing** ā Clues or hints about what will happen later 7. **Juxtaposition** ā Placing two elements side by side to present a contrast 8. **Point of View** ā Perspective from which the story is told (1st, 2nd, 3rd person) 9. **Stream of Consciousness** ā Narrative style that mimics thoughts and feelings 10. **Frame Narrative** ā A story within a story --- Want me to make flashcards, a quiz, or a PDF study guide with these? Or need help using them in a literary analysis essay?Here is a transcript of a video about Narrative Writing. Generate 25 questions. Intro to Narrative Writing What is Narrative Writing? You today, I want to introduce you to the basics of narrative writing. Narrative writing is writing that tells a story. It can be real or imagined, that is, nonfiction or fiction. It has a beginning, middle, and end. That is, it includes the basic elements of a plot exposition, rising action, conflict, climax, falling action, and resolution. And it's full of interesting details. The author's purpose in writing a narrative is to entertain the reader. There are three main types of narrative writing. The first is a personal narrative when a writer shares a true story from his or her own life. We could also say this type of narrative is autobiographical. The second type of narrative is biographical when a writer shares a true story from another person's life. The third type of narrative is fictional. When a writer tells an invented story, short stories, and novels are fictional narratives. The Process of Writing a Narrative While we could add to this list, there are five important parts of a narrative that I especially want you to remember as you write your own narrative. These parts of a narrative include setting, characters, plot, point of view, and dialogue. The first part of a narrative is the setting , where, and when the narrative takes place. The setting affects both the plot and characters in your narrative, so it's important to spend some time brainstorming where, when, and in what conditions your story takes place. The second part of a narrative is the characters , the people, animals or creatures involved in a story. Remember that your story must have a protagonist, the character facing the problem, and an antagonist the character or force causing the problem. Take some time while planning your narrative to focus on your characters beyond the characters names and roles they play in the story. Think about whether you'd like them to be flat with very few character traits or round with many character traits. Also think about which characters in your story will remain static or unchanged, and which characters will be dynamic, undergoing an important change in your narrative. The third part of a narrative is the plot , the sequence of events in a narrative. Take some time to think carefully through your story's plot. How will it begin and how will it end? What conflicts will your characters encounter? What is the climax or turning point of your story? How will the problems be solved? Creating a storyboard or labeling a plot diagram are both good tools for planning your story's plot. The fourth part of a narrative is the point of view , which is the perspective from which a narrative is told. You can choose to write your narrative in first person, writing a personal narrative from your own point of view, or you can choose a character in a fictional narrative to tell your story. Another option is to write your narrative in the third person point of view, telling the story from the perspective of an unseen narrator that is not a character in the story. Finally, the fifth part of a narrative is dialogue. The words the characters speak in your story dialogue can establish the setting, show characterization, foreshadow events, or advance the action in a narrative. Dialogue brings your narrative to life. It's important to review how to punctuate dialogue, following grammatical rules for using quotation marks, commas, and other N marks such as periods and question marks. As you begin writing your narrative, I'll help you break down each step of the process. But hopefully this introduction gives you a basic understanding of what narrative writing is, and hopefully it sparks some ideas for you to begin planning your own narrative.Filmic Techniques Based on the work of Brad Smilanich Mis-en-Scene: originally a French theatrical term arrangements of all the visual elements of the stage area in film ā āthe contents of the frame and the way those contents are organizedā include: lighting, costume, dĆ©cor, props, camera movement or distance . . . all photographic decisions etc. Proxemics: Spatial relationship among characters within the mis-en-scene Rule of Thirds: a compositional rule of thumb in painting, design, photography etc. suggests image divided into 9 equal parts with two vertical and two horizontal lines important elements of the mis-en-scene should be placed along these lines and their intersections some suggest aligning with intersections makes for more interesting pictures than just centreing the subject Proxemics Camera Distance: Quite literally, how far the camera is from the subject being filmed The Hand Camera Camera Distance: Quite literally, how far the camera is from the subject being filmed Extreme Close Up: Singles out one small portion of the body or object Used to intensify emotion, or show reaction Camera Distance: Close up Shot: Shows head of character or small significant object Used to show emotions Camera Distance: Medium Shot: shows figures from the waist up allows character to be seen within background Camera Distance: Long Shot: shows figures from feet up similar to the āstageā in live theatre orients audience to figures within a location or surrounding Camera Distance: Extreme Long Shot: Sometimes called an āestablishing shotā Panoramic view of an exterior location orients audience to a location Camera Distance: Camera Angle: Cameraās angle of view relative to the subject being photographed High Angle Shot: looks down on the subject often used to make the subject look small and insignificant (in combination with camera distance) puts the camera (audience) in āpowerā position Camera Angle: Low Angle Shot: looks up at the subject often used to make the subject look large and powerful puts the camera (audience) in a āsubmissiveā position Camera Angle: Flat Angle Shot: camera on same plane as the subject feels most ānormalā to an audience Camera Angle: Canted Shot: frame is unbalanced in relation to the subject may indicate a symbolic unbalance in the character Camera Angle: Camera Movement literally the camera moving with or around or to follow the subjects in the mis-en-scene or frame Camera Movement: Tilting Movement camera moves up or down on a horizontal axis similar to head nodding movement may be used to show subjects relation to surroundings Camera Movement: Panning Movement camera moves side to side on a vertical axis similar to head shaking movement may be used to establish setting Camera Movement: Dolly Movement camera mounted on a vehicle that moves along with the subject (camera moves, not pivots) follows the subject to signify something important Camera Movement: Crane Shot camera mounted on a crane or boom permits camera to move in & out, up & down, backward & forward often used for high aerial establishing shots Misc. Shots: Hand Held: camera carried to seem jerky, giving ārealistic feelā Push In: camera moves up to a characterās face to indicate an epiphany (realization) Spiral: camera circles subject for effect End for ELA 20-2 and 10-1 Shot Transitions/Editing: artificial editing done to string together multiple shots to create a narrative scene or sequence a cut is the change from one shot to another usually separated in to āsoftā and āhardā cuts Jump Cut: an instantaneous change from one shot to another this can be very natural or may disorient the audience, depending on how it is used Transitions/Editing Swish Pan: A pan where the speed of the camera is so fast that images are blurry used often to connect events in different settings that are connected by time Transitions/Editing Dissolve: transition where one shot gradually dissapears while another shot gradually appears often used to suggest change of setting or long time passage i.e. flashbacks Transitions/Editing Fade In/Out: transition where the shot gradually overexposes to white or underexposes to black often used to suggest a lengthy passage of time or change in location Transitions/Editing Wipe: transition where one shot is gradually eliminated as another shot moves onto the screen can be vertically or horizontally often suggests movement of the camera to another location Transitions/Editing Iris In/Out: transition where one shot gradually appears as an expanding circle in the middle of an old image suggests . . .??? Transitions/Editing Shot-Reverse Shot: one character is shown looking (often off-screen) at another character, and then the other character is shown looking "back" at the first character. Since the characters are shown facing in opposite directions, the viewer unconciously assumes that they are looking at each other. Transitions/Editing Two-Shot: Face-up shot of two people. Often used in interviews, or when two presenters are hosting a show. A "One-Shot" could be a mid-shot of either of these subjects. A "Three-Shot", unsurprisingly, contains three people. Transitions/Editing Shot Transitions/Editing: Sound: used to reflect or enhance what is shown visually on the screen can include dialogue, music, sound effects, voiceover etc. Diegetic Sound: sound that has a source in the world of the story dialogue spoken by characters, sound made by objects, or music coming from a source grounded in the story of the film Non-diegetic Sound: sound that has a source outside the world of the story usually part of the score or the soundtrack Parallel Sound: sound that complements the image shown i.e. romantic music during a love scene Counterpoint Sound: sound that contradicts the āfeelingā of the image a happy song played while images of graphic violence are portrayed Voiceover: voice of a non-visible narrator laid over the scene often provides some comment about the narrative of the film Sound Bridge: used to āsoftenā the transition between one scene and another takes sound from the next shot and overlays it on the current shot 2-3 seconds earlier than we see the image Examples of Diegetic/Non-Diegetic: In the first clip, the non-diegetic music changes to diegetic music when the main character moves inside of the convenience store. In the second clip, the āduhn duhn duuuuhā which often is non-diegetic becomes diegetic because it is the band in the passing bus playing that music! End for ELA 20-1 Lighting: Can be used by a director to: Control the mood of a scene guide a viewerās eye to a specific place in mis-en-scene Emphasize and de-emphasize elements in frame Add texture and color Make people look beautiful, ugly, sinister, or angelic Standard 3-Point Lighting: uses three lights called theĀ key light,Ā fill lightĀ andĀ back light forms the basis of most lighting. once you understand three point lighting you are well on the way to understanding all lighting. Key Light: main light usually the strongest and has the most influence on the look of the scene. it is placed to one side of the camera/subject so that side is well lit and other side has shadow. Fill Light: secondary light is placed on the opposite side of the key light used to fill the shadows created by key softer and less bright than key Back Light: placed behind the subject ; lights it from the rear. provides definition and subtle highlights around the subject's outlines. Separates subject from background provides a three-dimensional look. Standard 3-Point Lighting: http://www.zvork.fr/vls/ Try using this simulator to play with lighting with those 3 points.Make a quiz using the following words and definitions: 1. narrative a story 2. narrate to tell a story 3. pronounce to speak in a certain way; to say aloud 4. denounce to criticize; to blame 5. fabulous amazing; fantastic 6. fabled legendary; famous 7. mythical not existing in reality; made up 8. mythology a group of stories associated with a subject or culture 9. recount to tell; to describe 10. discount to put down; to say or believe something is not worth much 11. idealistic believing in the idea of perfection or a perfect world 12. ideal perfectly suitable 13. idealize to think of as perfect 14. conscience the part of the mind that tells the diference between right and wrong 15. scientifc based on proven facts 16. savvy cleverness; understanding 17. savor to take time to enjoy 18. certify to prove good or true; to declare correct 19. certainty something about which there is no doubt; a fact 20. concerted done together; combined 21. ascertain to fgure out through reasoning. Use all 21 words in the multiple choice quiz; create distractor items in the answer choices.Naturalism- A term often used as a synonym for realism; also a view of experience that is generally characterized as bleak and pessimistic; characters within this type of work often struggle unsuccessfully to exercise free will. Non Sequitur- A statement or idea that fails to follow logically from the one before Novel of Manners- A novel focusing on and describing the social customs and habits of a particular social group Novella- A work of fiction of roughly 20,000 to 50,000 words-longer than a short story, but shorter than a novel Ode -A lyric poem usually marked by serious, respectful, and exalted feelings toward the subject Old English- The Anglo-Saxon language spoken in what is now English from approximately 450 to 1150 A.D. Omniscient Narrator- A narrator with an unlimited awareness, understanding, and insight of characters, setting, background, and all other elements of the story Ottava Rima- An eight-line rhyming stanza of a poem Myth- An imaginary story that has become an accepted a part of the cultural or religious tradition of a group or society; often used to explain natural phenomena. Narrative - A form of verse or prose that tells a storyWriting a section of a narrative based on 'The Borrowers' (part 2)Planning a section of a narrative based on 'The Borrowers' (part 2)Health 11/12 Review for Final Exam Core Concepts - Mental and Emotional Health, Substance Abuse Prevention, Safety and Violence Prevention, Family Life and Human Sexuality, Disease Prevention and Control, Healthy Eating Health Education Skills - goal setting, decision making, accessing information/resources, analyzing influences, communication, self-management, advocacy DIMENSIONS of Wellness - social, spiritual, emotional/mental, environmental, financial, intellectual, multicultural, occupational, physical, sexual RISK factors - anything that increases the risk of disease, injury, or illness. PROTECTIVE factors - anything that decreases the risk of disease, injury, or illness. INTERNAL health factors - health factors that can be either hereditary and genetic or acquired elements -- include smoking and personal diet or eating habits. Example ā a genetic predisposition to an illness. EXTERNAL health factors - health factors that are part of the direct outer environment, the geographical location, micro-organisms, socio-economic elements that could affect an individual's health. Example ā being unable to afford mental health services. Unit 1- Managing Personal and Community Wellness Explain Maslowās Hierarchy of Needs in your own words using the image provided. Explain how each Social Determinant of Health may impact a personās health. Levels of Disease Prevention ā¢ PRIMARY The goal is to avoid conditions altogether. ā¢ SECONDARY The goal is early detection. ā¢ TERTIARY The goal is to minimize the damage (manage). Define the following terms. Fads/Trends Sleep hygiene Driver safety Unit 2- Investigating Social Ecological Factors on Well-Being Socio-Ecological Model ā The SEM examines how health behaviors form based on characteristics of individuals, communities, nations and levels in between. Each level overlaps with other levels signifying how the best public health strategies are those that encompass and target a wide range of perspectives. Interpersonal (personal) health vs. intrapersonal (relationship) health Health INEQUITY - systemic, ingrained and unjust barriers that prevent segments of the population from having the opportunity of health leading to health disparity. IMPLICIT BIAS - a form of bias that occurs automatically and unintentionally, that nevertheless affects judgments, decisions, and behaviors. Research has shown implicit bias can contribute to unequal access to quality healthcare, negative patient-provider relationships and interactions; and create mistrust in the healthcare system and practitioners among patients. This can contribute to health disparities. Health DISPARITY - represents a difference in health between populations. It is often used to describe disease burden and other negative health outcomes socially disadvantaged groups may face. Health EQUITY - The opposite of health inequity. It describes a system that supports a high standard of health and healthcare for all people. Racism - Beliefs, attitudes, institutional arrangements, and acts that tend to denigrate individuals or groups because of phenotypic characteristics or ethnic group affiliation. DISCRIMINATION - An unjust differential treatment of a person or a group. PRIVILEGE- The unearned access to resources and social power that are only available to some because of their membership within certain social groups. OPPRESSION is the act of taking away choices from others and can be defined as a system that maintains advantage and disadvantage based on social identities and that acts on multiple levels from interpersonal to institutional and societal. (internalized, interpersonal, institutional, structural) Systematic Oppression - Intentional disadvantage of groups of people based on their identity while advantaging members of dominant group (race, gender, sexual orientation, language, size, ability, etc.). Intersectionality - The complex, cumulative way in which the effects of multiple forms of discrimination (such as racism, sexism, and classism) combine, overlap, or intersect especially in the experiences of marginalized individuals or groups Unit 3- Accessing Resources and Communicating to Support Mental and Emotional Health What is anger? What is anxiety? What is stress? STRESSORS are the things that cause stress. Stressors can be internal and external. A stressor may be a one-time or short-term occurrence, or it can happen repeatedly over a long time. INTERNAL Stressors - are made by your belief system and the way you evaluate yourself. Examples include pessimistic attitude, negative self-talk, deep need to be perfect, low self-esteem or body image, unhealthy standards for self. EXTERNAL Stressors - are stressful things that happen in your surroundings and/or in your environment. Examples include busy schedules, work problems, family issues, financial trouble, social problems, injury, unforeseen circumstances. Socio-economic issues are also a part of external stressors such as poverty, violence, and racism. Define the following mental health conditions. Depression Eating disorders NSSI Non-suicidal self-injury Grief/Loss Suicide prevention A.C.T. ā¢ ACKNOWLEDGE- Tell them in a caring way that you recognize that they are having a problem ā¢ CARE- You can show you care by actively listening - put away anything else you are doing, make eye contact, sit down, ask questions. ā¢ TELL-(call 988 for additional help and support) - Tell them it is important that they speak with a trusted adult. Help them figure out who this may be and offer to go with your friend. A social norm is an unwritten, informal rule meant to guide behavior among the of society. It distinguishes between acceptable and unacceptable, good and bad, and so on. Social norms can influence a person with emotional or mental health disorders, access to care and stigmatize their situation. STIGMA- a mark of disgrace associated with a particular circumstance, quality, or person. ā¢ Self-stigma - This describes the internalized stigma that people with mental health conditions feel about themselves. ā¢ Public stigma - This refers to the negative attitudes around mental health from people in society. ā¢ Institutional stigma - This is a type of systemic stigma that arises from corporations, governments, and other institutions. Unit 4- Evaluating Risks of Substance Use and Abuse Harm Reduction - a set of practical strategies and ideas aimed at reducing negative consequences associated with drug use. Explain how each level of the Social Ecological Model is impacted by addiction. Individual Relationship Community Society SEM Level Contributing/Risk Factors to substance use Preventative/Protective Factors for substance use Individual Interpersonal/Relationship Community Society Unit 5- Analyzing Influences to Examine Ways to Increase Safety and Reduce Violence HATE CRIME - a crime, usually violent, motivated by prejudice or intolerance toward an individualās national origin, ethnicity, color, religion, gender, gender identity, sexual orientation, or disability. Explain how the media influences violence in society. The Pyramid of Hate Explain the escalation of hate using the Pyramid of Hate visual. List several hate crime motivators. Example: age HEALTHY Relationship Signs - comfortable pace, trust, honesty, independence, respect, equality, kindness, taking responsibility, healthy conflict, fun UNHEALTHY Relationship Signs - intensity, possessiveness, manipulation, isolation, sabotage, belittling, guilting, volatility, deflecting responsibility, betrayal Sexual Assault is a sexual behavior WITHOUT consent. Human trafficking - the recruitment, harboring, transportation, provision, or obtaining of a person for labor or services, using force, fraud, or coercion for the purpose of subjection to involuntary servitude, peonage, debt bondage, or slavery. Sex trafficking - commercial sex act induced by force, fraud, or coercion, or in which the person induced to perform such an act has not attained 18 years of age. Trafficking happens usingā¦ ā¢ Force - using violence to control someone. ā¢ Fraud - using lies to control someone. ā¢ Coercion - using threats to control someone. Unit 6- Family Life and Human Sexuality Agency - A belief about yourself and the extent to which you can act on that belief. ā¢ The ability to choose freely oneās own narrative. ā¢ To embrace the idea that I am the cause (or agent) of my own thoughts and actions. ā¢ Personal agency is a personal responsibility for who we are, what we experience, what we do about that experience, and how we shape our world to give us more of the experiences we want. SEXUAL Agency ā¢ The ability to choose your own interests and desires vs. what we see in the media or othersā perceptions ā¢ The ability to identify, communicate, and negotiate oneās sexual needs ā¢ The ability to initiate behaviors that allow for the satisfaction of those needs Sexually Explicit Material - photographs, videos, films, magazines, and books whose primary themes, topics, or depictions involve sexuality that may cause sexual arousal. Sexual scripts - thoughts, patterns, or behavior that a person has about themselves in a romantic or sexual context. It is how people picture themselves or want to project themselves in front of others. Reproductive Rights of Teens - In Maryland, teens have the right to an abortion, keep their child, obtain and use birth control, paternity tests, adoption, give up custody of their child within 10 days of birth (Safe Haven Law). ā¢ REPRODUCTIVE RIGHTS- legal rights and the freedom of the individual to control decisions regarding contraception, abortion, sterilization and childbirth. ā¢ SAFE HAVEN LAW- a distressed parent who is unable or unwilling to care for their infant can safely give up custody of their baby, no questions asked. CONSENT is an agreement between participants to engage in sexual activity. ā¢ It is clearly and freely communicated, verbal, and affirmative. Consent CANNOT be given ifā¦ ā¢ A person is underage, one or both partners is intoxicated or incapacitated by drugs or alcohol, one partner is asleep or unconscious, one partner feels pressured, threatened or intimidated, or one partner holds a position of power or authority over the other. Unit 7- Advocating for Enhanced Nutrition, Food Systems, and Health Outcomes Dietary Guidelines for Americans Guideline 1: Follow a Healthy Dietary Pattern at Every Life Stage Guideline 2: Customize and Enjoy Food and Beverage Choices to Reflect Personal Preferences, Cultural Traditions, and Budgetary Considerations Guideline 3: Focus on Meeting Food Group Needs with Nutrient-Dense Foods and Beverages, and Stay Within Calorie Limits Guideline 4: Limit Foods and Beverages Higher in Added Sugars, Saturated Fat, and Sodium, and Limit Alcoholic Beverages FOOD DESERT- a neighborhood where there is little or limited access to healthy and affordable food such as fruits, vegetables, whole grains, low-fat milk and other foods that make up the full range of a healthy diet. FOOD INSEQURITY lack of access to a sufficient amount of food because of limited funds. More than 49 million American households are considered food insecure and are vulnerable to poor health as a result. PROCCESED FOODS- any raw agricultural commodities that have been washed, cleaned, milled, cut, chopped, heated, pasteurized, blanched, cooked, canned, frozen, dried, dehydrated, mixed or packaged ā anything done to them that alters their natural state.