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Theatre in Elizabethan Times + The Globe Theatre London Tour
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consider deem to be At the moment, artemisinin-based therapies are considered the best treatment, but cost about $10 per dose - far too much for impoverished communities. Seattle Times (Feb 16, 2012) minute infinitely or immeasurably small The minute stain on the document was not visible to the naked eye. accord concurrence of opinion The committee worked in accord on the bill, and it eventually passed. evident clearly revealed to the mind or the senses or judgment That confidence was certainly evident in the way Smith handled the winning play with 14 seconds left on the clock. practice a customary way of operation or behavior He directed and acted in plays every season and became known for exploring Elizabethan theatre practices. What is the National Youth Theatre? The National Youth Theatre (NYT) is an organization for young people who are interested in the theatre. The organization is in London. It started in 1956. It gives young people the chance to do something exciting in their school holidays and to make great new friends from all over the UK. How did the National Youth Theatre start? A man called Michael Croft started the organization. Michael Croft worked at a boys' school and he organized a lot of school plays. When he left the school, a lot of the students asked him to help them to perform plays in the school holidays. Michael decided to start the National Youth Theatre so that other children in the UK could have fun in their school holidays, too. The National Youth Theatre's first play was Shakespeare's Henry V. In those days, it was very unusual for young actors to perform Shakespeare's plays. Lots of people were interested in the idea, so there were large audiences at the performances. Soon, lots of people knew about the National Youth Theatre and the organization grew very quickly. Young people from all over the country wanted to join. The National Youth Theatre was a big success because it gave young people the chance to show their thoughts and feelings through acting. It also helped young people to learn to work as a team, to feel confident and to communicate well with other people. Who can join the National Youth Theatre? All young British people, from the age of thirteen to twenty-one, can join the National Youth Theatre. About 4,500 young people apply to join the organization every year. A lot of famous British people started their careers in the National Youth Theatre. What can you learn at the National Youth Theatre? The National Youth Theatre teaches young people how to act. But the organization is not just for people who want to be famous actors. You can also learn to write and direct plays, work stage lights, build sets and design costumes. You can meet some of the best writers, directors and designers in the UK. The National Youth Theatre offers lessons in lots of different subjects every summer, so young people can learn new things and have fun in their school holidays. You can find out what you are good at and learn a lot of great skills to help you in the future.Identify the tone and mood using this stimulus "Dazzled by so many and such marvellous inventions, the people of Macondo did not know where their amazement began. They stayed up all night looking at the pale electric bulbs fed by the plant that Aureliano Triste had brought back when the train made its second trip, and it took time and effort for them to grow accustomed to its obsessive toom-toom. They became indignant over the living images that the prosperous merchant Don Bruno Crespi projected in the theatre with the lion-head ticket windows, for a character who had died and was buried in one film, and for whose misfortune tears of affliction had been shed, would reappear alive and transformed into an Arab in the next one. The audience, who paid two centavos apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Don Bruno Crespi, explained by means of a proclamation that the cinema was a machine of illusions that did not merit the emotional outburst of the audience. With that discouraging explanation many felt that they had been the victims of some new and showy gypsy business and they decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."Filmic Techniques Based on the work of Brad Smilanich Mis-en-Scene: originally a French theatrical term arrangements of all the visual elements of the stage area in film – “the contents of the frame and the way those contents are organized” include: lighting, costume, décor, props, camera movement or distance . . . all photographic decisions etc. Proxemics: Spatial relationship among characters within the mis-en-scene Rule of Thirds: a compositional rule of thumb in painting, design, photography etc. suggests image divided into 9 equal parts with two vertical and two horizontal lines important elements of the mis-en-scene should be placed along these lines and their intersections some suggest aligning with intersections makes for more interesting pictures than just centreing the subject Proxemics Camera Distance: Quite literally, how far the camera is from the subject being filmed The Hand Camera Camera Distance: Quite literally, how far the camera is from the subject being filmed Extreme Close Up: Singles out one small portion of the body or object Used to intensify emotion, or show reaction Camera Distance: Close up Shot: Shows head of character or small significant object Used to show emotions Camera Distance: Medium Shot: shows figures from the waist up allows character to be seen within background Camera Distance: Long Shot: shows figures from feet up similar to the “stage” in live theatre orients audience to figures within a location or surrounding Camera Distance: Extreme Long Shot: Sometimes called an ‘establishing shot’ Panoramic view of an exterior location orients audience to a location Camera Distance: Camera Angle: Camera’s angle of view relative to the subject being photographed High Angle Shot: looks down on the subject often used to make the subject look small and insignificant (in combination with camera distance) puts the camera (audience) in ‘power’ position Camera Angle: Low Angle Shot: looks up at the subject often used to make the subject look large and powerful puts the camera (audience) in a ‘submissive’ position Camera Angle: Flat Angle Shot: camera on same plane as the subject feels most ‘normal’ to an audience Camera Angle: Canted Shot: frame is unbalanced in relation to the subject may indicate a symbolic unbalance in the character Camera Angle: Camera Movement literally the camera moving with or around or to follow the subjects in the mis-en-scene or frame Camera Movement: Tilting Movement camera moves up or down on a horizontal axis similar to head nodding movement may be used to show subjects relation to surroundings Camera Movement: Panning Movement camera moves side to side on a vertical axis similar to head shaking movement may be used to establish setting Camera Movement: Dolly Movement camera mounted on a vehicle that moves along with the subject (camera moves, not pivots) follows the subject to signify something important Camera Movement: Crane Shot camera mounted on a crane or boom permits camera to move in & out, up & down, backward & forward often used for high aerial establishing shots Misc. Shots: Hand Held: camera carried to seem jerky, giving ‘realistic feel’ Push In: camera moves up to a character’s face to indicate an epiphany (realization) Spiral: camera circles subject for effect End for ELA 20-2 and 10-1 Shot Transitions/Editing: artificial editing done to string together multiple shots to create a narrative scene or sequence a cut is the change from one shot to another usually separated in to ‘soft’ and ‘hard’ cuts Jump Cut: an instantaneous change from one shot to another this can be very natural or may disorient the audience, depending on how it is used Transitions/Editing Swish Pan: A pan where the speed of the camera is so fast that images are blurry used often to connect events in different settings that are connected by time Transitions/Editing Dissolve: transition where one shot gradually dissapears while another shot gradually appears often used to suggest change of setting or long time passage i.e. flashbacks Transitions/Editing Fade In/Out: transition where the shot gradually overexposes to white or underexposes to black often used to suggest a lengthy passage of time or change in location Transitions/Editing Wipe: transition where one shot is gradually eliminated as another shot moves onto the screen can be vertically or horizontally often suggests movement of the camera to another location Transitions/Editing Iris In/Out: transition where one shot gradually appears as an expanding circle in the middle of an old image suggests . . .??? Transitions/Editing Shot-Reverse Shot: one character is shown looking (often off-screen) at another character, and then the other character is shown looking "back" at the first character. Since the characters are shown facing in opposite directions, the viewer unconciously assumes that they are looking at each other. Transitions/Editing Two-Shot: Face-up shot of two people. Often used in interviews, or when two presenters are hosting a show. A "One-Shot" could be a mid-shot of either of these subjects. A "Three-Shot", unsurprisingly, contains three people. Transitions/Editing Shot Transitions/Editing: Sound: used to reflect or enhance what is shown visually on the screen can include dialogue, music, sound effects, voiceover etc. Diegetic Sound: sound that has a source in the world of the story dialogue spoken by characters, sound made by objects, or music coming from a source grounded in the story of the film Non-diegetic Sound: sound that has a source outside the world of the story usually part of the score or the soundtrack Parallel Sound: sound that complements the image shown i.e. romantic music during a love scene Counterpoint Sound: sound that contradicts the ‘feeling’ of the image a happy song played while images of graphic violence are portrayed Voiceover: voice of a non-visible narrator laid over the scene often provides some comment about the narrative of the film Sound Bridge: used to ‘soften’ the transition between one scene and another takes sound from the next shot and overlays it on the current shot 2-3 seconds earlier than we see the image Examples of Diegetic/Non-Diegetic: In the first clip, the non-diegetic music changes to diegetic music when the main character moves inside of the convenience store. In the second clip, the “duhn duhn duuuuh” which often is non-diegetic becomes diegetic because it is the band in the passing bus playing that music! End for ELA 20-1 Lighting: Can be used by a director to: Control the mood of a scene guide a viewer’s eye to a specific place in mis-en-scene Emphasize and de-emphasize elements in frame Add texture and color Make people look beautiful, ugly, sinister, or angelic Standard 3-Point Lighting: uses three lights called the key light, fill light and back light forms the basis of most lighting. once you understand three point lighting you are well on the way to understanding all lighting. Key Light: main light usually the strongest and has the most influence on the look of the scene. it is placed to one side of the camera/subject so that side is well lit and other side has shadow. Fill Light: secondary light is placed on the opposite side of the key light used to fill the shadows created by key softer and less bright than key Back Light: placed behind the subject ; lights it from the rear. provides definition and subtle highlights around the subject's outlines. Separates subject from background provides a three-dimensional look. Standard 3-Point Lighting: http://www.zvork.fr/vls/ Try using this simulator to play with lighting with those 3 points. What does the National Youth Theatre do? The National Youth Theatre organizes lots of exciting events. In 2006, the organization celebrated its 50th birthday. On the 10th of September, 2006, the members of the National Youth Theatre performed a show in Trafalgar Square, London. The show was on the same date as the National Youth Theatre's first play, fifty years before. The show started at midday, with a parade through the city to Trafalgar Square. Then about 1,500 young actors filled the square with lots of colourful and exciting performances. The smaller performances lasted until 8pm and then there was a final, special performance with amazing music and lights. The show was a great success. In 2007, the NYT started a special season called Generation ID Season. The members of the NYT worked on plays, films and even computer programs to show what life is like for young people today. The NYT does not only perform plays in the UK. The organization often travels to major cities in other countries to perform. The NYT has been to New York, Moscow, Paris, Berlin, Madrid and to lots of places in Holland and Norway. In 2008, the National Youth Theatre travelled to China and 25 members of the organization sang the British National Anthem to an audience of 91,000 at the Beijing Olympics. People all around the world watched their performance on television. This was a special performance because London will be the next city to hold the Olympic Games. Members of the NYT also performed Shakespeare's play, The Merchant of Venice, in Beijing.THEATER IN THE PHILIPPINESRole in Theater ProductionIn Theatro Game