
When my husband was going into the dining room this morning, he dropped some coins on the floor. There were coins everywhere. We looked for them, but we could not find them all. While we were having breakfast, our little boy, Tommy, found two small coins on the floor. He put them both into his mouth. We both tried to get the coins, but it was too late. Tommy had already swallowed them! Later that morning, when I was doing the housework, my husband phoned me from the office. 'How's Tommy?' he asked. 'I don't know, I answered, 'Tommy's been to the toilet three times this morning, but I haven't had any change yet!'
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When my husband was going into the dining room this morning, he dropped some coins on the floor. There were coins everywhere. We looked for them, but we could not find them all. While we were having breakfast, our little boy, Tommy, found two small coins on the floor.He put them both into his mouth. We both tried to get the coins, but it was too late. Tommy had already swallowed them! Later that morning, when I was doing the housework, my husband phoned me from the office. 'How's Tommy?' he asked. 'I don't know, I answered, 'Tommy's been to the toilet three times this morning, but I haven't had any change yet!'
Translator: Joseph Geni Reviewer: Morton Bast Before March, 2011, I was a photographic retoucher based in New York City. We're pale, gray creatures. We hide in dark, windowless rooms, and generally avoid sunlight. We make skinny models skinnier, perfect skin more perfect, and the impossible possible, and we get criticized in the press all the time, but some of us are actually talented artists with years of experience and a real appreciation for images and photography. On March 11, 2011, I watched from home, as the rest of the world did, as the tragic events unfolded in Japan. Soon after, an organization I volunteer with, All Hands Volunteers, were on the ground, within days, working as part of the response efforts. I, along with hundreds of other volunteers, knew we couldn't just sit at home, so I decided to join them for three weeks. On May the 13th, I made my way to the town of Ōfunato. It's a small fishing town in Iwate Prefecture, about 50,000 people, one of the first that was hit by the wave. The waters here have been recorded at reaching over 24 meters in height, and traveled over two miles inland. As you can imagine, the town had been devastated. We pulled debris from canals and ditches. We cleaned schools. We de-mudded and gutted homes ready for renovation and rehabilitation. We cleared tons and tons of stinking, rotting fish carcasses from the local fish processing plant. We got dirty, and we loved it. For weeks, all the volunteers and locals alike had been finding similar things. They'd been finding photos and photo albums and cameras and SD cards. And everyone was doing the same. They were collecting them up, and handing them in to various places around the different towns for safekeeping. Now, it wasn't until this point that I realized that these photos were such a huge part of the personal loss these people had felt. As they had run from the wave, and for their lives, absolutely everything they had, everything had to be left behind. At the end of my first week there, I found myself helping out in an evacuation center in the town. I was helping clean the onsen, the communal onsen, the huge giant bathtubs. This happened to also be a place in the town where the evacuation center was collecting the photos. This is where people were handing them in, and I was honored that day that they actually trusted me to help them start hand-cleaning them. Now, it was emotional and it was inspiring, and I've always heard about thinking outside the box, but it wasn't until I had actually gotten outside of my box that something happened. As I looked through the photos, there were some were over a hundred years old, some still in the envelope from the processing lab, I couldn't help but think as a retoucher that I could fix that tear and mend that scratch, and I knew hundreds of people who could do the same. So that evening, I just reached out on Facebook and asked a few of them, and by morning the response had been so overwhelming and so positive, I knew we had to give it a go. So we started retouching photos. This was the very first. Not terribly damaged, but where the water had caused that discoloration on the girl's face had to be repaired with such accuracy and delicacy. Otherwise, that little girl isn't going to look like that little girl anymore, and surely that's as tragic as having the photo damaged. (Applause) Over time, more photos came in, thankfully, and more retouchers were needed, and so I reached out again on Facebook and LinkedIn, and within five days, 80 people wanted to help from 12 different countries. Within two weeks, I had 150 people wanting to join in. Within Japan, by July, we'd branched out to the neighboring town of Rikuzentakata, further north to a town called Yamada. Once a week, we would set up our scanning equipment in the temporary photo libraries that had been set up, where people were reclaiming their photos. The older ladies sometimes hadn't seen a scanner before, but within 10 minutes of them finding their lost photo, they could give it to us, have it scanned, uploaded to a cloud server, it would be downloaded by a gaijin, a stranger, somewhere on the other side of the globe, and it'd start being fixed. The time it took, however, to get it back is a completely different story, and it depended obviously on the damage involved. It could take an hour. It could take weeks. It could take months. The kimono in this shot pretty much had to be hand-drawn, or pieced together, picking out the remaining parts of color and detail that the water hadn't damaged. It was very time-consuming. Now, all these photos had been damaged by water, submerged in salt water, covered in bacteria, in sewage, sometimes even in oil, all of which over time is going to continue to damage them, so hand-cleaning them was a huge part of the project. We couldn't retouch the photo unless it was cleaned, dry and reclaimed. Now, we were lucky with our hand-cleaning. We had an amazing local woman who guided us. It's very easy to do more damage to those damaged photos. As my team leader Wynne once said, it's like doing a tattoo on someone. You don't get a chance to mess it up. The lady who brought us these photos was lucky, as far as the photos go. She had started hand-cleaning them herself and stopped when she realized she was doing more damage. She also had duplicates. Areas like her husband and her face, which otherwise would have been completely impossible to fix, we could just put them together in one good photo, and remake the whole photo. When she collected the photos from us, she shared a bit of her story with us. Her photos were found by her husband's colleagues at a local fire department in the debris a long way from where the home had once stood, and they'd recognized him. The day of the tsunami, he'd actually been in charge of making sure the tsunami gates were closed. He had to go towards the water as the sirens sounded. Her two little boys, not so little anymore, but her two boys were both at school, separate schools. One of them got caught up in the water. It took her a week to find them all again and find out that they had all survived. The day I gave her the photos also happened to be her youngest son's 14th birthday. For her, despite all of this, those photos were the perfect gift back to him, something he could look at again, something he remembered from before that wasn't still scarred from that day in March when absolutely everything else in his life had changed or been destroyed. After six months in Japan, 1,100 volunteers had passed through All Hands, hundreds of whom had helped us hand-clean over 135,000 photographs, the large majority — (Applause) — a large majority of which did actually find their home again, importantly. Over five hundred volunteers around the globe helped us get 90 families hundreds of photographs back, fully restored and retouched. During this time, we hadn't really spent more than about a thousand dollars in equipment and materials, most of which was printer inks. We take photos constantly. A photo is a reminder of someone or something, a place, a relationship, a loved one. They're our memory-keepers and our histories, the last thing we would grab and the first thing you'd go back to look for. That's all this project was about, about restoring those little bits of humanity, giving someone that connection back. When a photo like this can be returned to someone like this, it makes a huge difference in the lives of the person receiving it. The project's also made a big difference in the lives of the retouchers. For some of them, it's given them a connection to something bigger, giving something back, using their talents on something other than skinny models and perfect skin. I would like to conclude by reading an email I got from one of them, Cindy, the day I finally got back from Japan after six months. "As I worked, I couldn't help but think about the individuals and the stories represented in the images. One in particular, a photo of women of all ages, from grandmother to little girl, gathered around a baby, struck a chord, because a similar photo from my family, my grandmother and mother, myself, and newborn daughter, hangs on our wall. Across the globe, throughout the ages, our basic needs are just the same, aren't they?" Thank you. (Applause) (Applause)
好的,根據您提供的表格 [NEW SOURCE],以下是表格中例句的中文意思: * **1. all** * **全部的**:**All** my friends were here with me. (我所有的朋友當時都在這裡。) * **全部**:**All** of us enjoyed the movie. (我們所有人都很喜歡這部電影。) * **都**:He got **all** wet. (他全身都濕透了。) * **2. along** * **沿著**:We walked **along** the river yesterday evening. (我們昨天傍晚沿著河邊散步。) * **帶……一起**:When my mother goes out, she takes my little brother **along**. (我媽媽外出時,會帶著我的小弟弟一起去。) * **3. angle** * **觀點**:We should look at the problems from different **angles**. (我們應該從不同的觀點來看待這些問題。) * **角度**:The picture is hanging at an **angle** of 45°. (這張畫以 45 度的角度懸掛著。) * **4. answer** * **答案**:Do you know the **answer** to the question? (你知道這個問題的答案嗎?) * **回答;回應**:Could you **answer** the phone for me? (你可以幫我接一下電話嗎?) * **5. back** * **後面**:She wrote her cellphone number down on the **back** of the paper. (她把她的手機號碼寫在紙的背面。) * **後面的**:Open the **back** door, please. (請打開後面的門。) * **回原處**:It’s time to go **back** home. (該回家了。) * **6. bat** * **蝙蝠**:Did you ever see a **bat** flying quickly in the sky at night? (你曾經看過蝙蝠在夜空中快速飛行嗎?) * **球棒**:Swing the **bat** higher. (把球棒揮高一點。) * **擊**:It’s your turn to **bat**. (輪到你打擊了。) * **7. bite** * **一口的量**:Jane took a **bite** of the guava. (珍咬了一口芭樂。) * **咬**:The dog **bit** the woman’s leg. (那隻狗咬了那個女人的腿。) * **8. book** * **書**:I’ve just started reading a **book** by Stephen King. (我剛開始讀一本史蒂芬·金的書。) * **預訂;預約**:They **booked** two seats at the theater. (他們在劇院預訂了兩個座位。) * **9. block** * **街區**:Nancy and I live on the same **block**. (南希和我住在同一個街區。) * **阻擋**:Those heavy boxes **blocked** my way to the restroom. (那些沉重的箱子擋住了我去洗手間的路。) * **10. bow** * **蝴蝶結**:David chose a gray **bow** tie to go with his black suit. (大衛選擇了一個灰色蝴蝶領結來搭配他的黑色西裝。) * **鞠躬**:The actor **bowed** to everyone before he left the stage. (那位演員在離開舞台前向大家鞠躬。) * **11. break** * **暫停;休息**:I’m tired. Can we take a **break**? (我累了。我們可以休息一下嗎?) * **分解**:These plastic forks are hard to **break** down. (這些塑膠叉子很難分解。) * **打破**:The glass is very expensive. Don’t **break** it. (這個玻璃很貴。不要打破它。) * **12. bright** * **晴朗的**:It’s a **bright** morning. Why not take a walk along the river? (這是個晴朗的早晨。何不沿著河邊散步呢?) * **明亮的**:The room isn’t **bright** enough. Let’s not read here. (這個房間不夠明亮。我們不要在這裡閱讀。) * **13. call** * **打電話**:I got a **call** from my old friend last night. (我昨晚接到我老朋友的電話。) * **打電話**:Tina **called** me last night. We talked a lot about music. (蒂娜昨晚打電話給我。我們聊了很多關於音樂的事。) * **呼喊**:Listen! Is that a **call** for help? (聽!那是求救的呼喊嗎?) * **呼喊**:Why did you **call** my name then? (那你當時為什麼喊我的名字?) * **14. camp** * **營隊**:Patrick joined a science **camp** this summer. (派屈克今年夏天參加了一個科學營隊。) * **露營**:They **camped** by the river yesterday. (他們昨天在河邊露營。) * **15. case** * **箱;盒**:The kids drank the whole **case** of Coke. (孩子們喝掉了一整箱可樂。) * **實例;情況**:The number of new **cases** of Covid-19 is growing. (新冠肺炎的新增病例數正在增加。) * **16. catch** * **接球**:Nice **catch**! My good dog. (接得好!我的好狗狗。) * **罹患(病)**:My head hurts. I may **catch** a cold. (我頭痛。我可能感冒了。) * **抓住**:I didn’t **catch** the ball. (我沒有接到那個球。) * **17. change** * **零錢;找零**:I think you’ve given me the wrong **change**. (我想你找錯錢了。) * **改變;交換**:The leaves **change** (in color) from green to red in the fall. (秋天時,樹葉的顏色從綠色變成紅色。) * **18. clean** * **打掃;清理**:Tom **cleans** the toilet once a week. (湯姆一週打掃一次馬桶。) * **乾淨的**:The water isn’t **clean**. Don’t drink it. (這水不乾淨。不要喝。) * **19. close** * **關;闔**:**Close** your books, students. Let’s have a pop quiz. (同學們,把你們的書闔上。我們要進行隨堂測驗。) * **靠近地**:Jane sat **close** to her husband at the party. (在派對上,珍緊挨著她的丈夫坐著。) * **20. cold** * **感冒**:I had a **cold** a week ago. (我一個星期前感冒了。) * **寒冷的**:It was **cold** last night. (昨晚很冷。)
The Story of Ramayana by Maharshi Valmiki Long ago, Dasharatha, the wise king of Ayodhya of Sarayu, India had three wives. Though the King had three wives, he didn’t have any children with them. The Chief priest Vasishta advised the king to make fire sacrifice to obtain a blessing from the gods. After the gods were pleased, one of them appeared out of the flame and handed him a pot full of nectar. The god told the king to share the nectar with his three queens namely Kausalya, Kaikeye, and Sumitra. While the nectar had been shared, the three queens gave birth to sons: Kausalya had Rama; Kaikeye had Bharatha; and Sumitra had twins Lakshmana and Shatrughna. A sage took the boys out to train them in archery. In a neighboring city, the ruler's daughter was named Sita. When it was time for Sita to choose her bridegroom, at a ceremony called a Swayamvara, the princes were asked to string a giant bow. No one else could even lift the bow, but as Rama bent it, he did not only string it but also broke it into two. Sita indicated that she chose Rama as her husband by putting a garland around his neck. The disappointed suitors were watching. 6 CO_Q3_English8_Module 4 King Dasharatha, Rama's father, decided it was time to give his throne to his eldest son Rama and retired to the forest to seek moksha. Everyone seems pleased. This plan fulfilled the rules of dharma because an eldest son should rule and, if a son can take over one's responsibilities, one's last years may be spent in a search for moksha. In addition, everyone loved Rama. However, Rama's stepmother, the king's second wife, was not pleased. She wanted her son, Bharata, to rule. Because of an oath Dasharatha had made to her years before, she got the king to agree to banish Rama for fourteen years and to crown Bharata even though the king, on bended knee, begged her not to demand such things. Broken-hearted, the devastated king could not face Rama with the news that Kaikeyi must tell him. Rama, always obedient, was as content to go into banishment in the forest as to be crowned king. Sita convinced Rama that she would always be at his side and his brother Lakshmana also begged to accompany them. Rama, Sita, and Lakshmana set out to the forest. Bharata, whose mother's evil plot had won him the throne, was very upset when he found out what had happened. Not for a moment he did consider breaking the rules of dharma and becoming king in Rama's place. He went to Rama's forest retreat and begged Rama to return and rule, but Rama refused. "We must obey father," Rama says. Bharata then took Rama's sandals saying, "I will put these on the throne, and every day I shall place the fruits of my work at the feet of my Lord." Embracing Rama, he took the sandals and returned to Ayodhya. Years passed and Rama, Sita, and Lakshmana were very happy in the forest. Rama and Lakshmana destroyed the rakshasas (evil creatures) who disturbed the sages in their meditations. One day a rakshasa princess named Shurpanakha tried to seduce Rama, and Lakshmana wounded her and drove her away. She returned to her brother Ravana, the ten-headed ruler of Lanka (Sri Lanka, formerly Ceylon), and told her brother, who is always attracted to beautiful women, about lovely Sita. Ravana devised a plan to abduct Sita. He sent a magical golden deer which Sita desired Rama to hunt. A long time had passed, but Rama didn’t return. Thus, Lakshmana went off to find his brother. Before leaving Sita, Lakshmana drew a protective circle around Sita and warned her that she would be safe if she would stay within the circle. As they went off, Ravana, who could change his shape, appeared as a holy man begging alms. The moment Sita stepped outside the circle to give him food, Ravana grabbed her and carried her off to his kingdom in Lanka. Rama was broken-hearted when he returned to the empty hut and could not find Sita. A band of monkeys led by Hanuman offered to help him find Sita. Ravana carried Sita to his palace in Lanka, but he could not force her to be his wife. So, he put her in a grove and alternately sweet-talked her and threatened her in an attempt to get her to agree to marry him. Sita would not even look at him but thought only of her beloved Rama. Hanuman, the general of the monkey band could fly since his father was the wind, and he flew to Lanka and found Sita in the grove, comforted her, and told her Rama would come soon and save her. 7 CO_Q3_English8_Module 4 Ravana's men captured Hanuman, and Ravana ordered them to wrap Hanuman's tail in cloth and to set it on fire. With his tail burning, Hanuman hopped from house-top to house-top, setting Lanka a fire. He then flew back to Rama to tell him where Sita was. Rama, Lakshmana, and the monkey army built a causeway from the tip of India crossing over to Lanka. A mighty battle took place. Rama killed several of Ravana's brothers and then Rama confronted ten-headed Ravana. Rama finally killed Ravana and freed Sita. After Sita gained her freedom from Ravana, she proved her purity through the trial by fire. Then, they returned to Ayodhya and Rama became the king. As Rama became the king, he ruled Ayodhya with Ramrajya - an ideal time when everyone does his or her duties and responsibilities
The Earth on Turtle’s Back, When Grizzlies Walked Upright, Of Plymouth Plantation, To My Dear and Loving Husband, and Huswifery.
Bums in the Attic I want a house on a hill like the ones with the gardens where Papa works. We go on Sundays, Papa's day off. I used to go. I don't anymore. You don't like to go out with us, Papa says. Getting too old? Getting too stuck-up, says Nenny. I don't tell them I am ashamed -all of us staring out the window like the hungry. I am tired of looking at what we can't have. When we win the lottery . . . Mama begins, and then I stop listening. People who live on hills sleep so close to the stars they forget those of us who live too much on earth. They don't look down at all except to be content to live on hills. They 86 Sandra Cisneros have nothing to do with last week's garbage or fear of rats. Night comes. Nothing wakes them but the wind. One day I'll own my own house, but I won't forget who I am or where I came from. Passing bums will ask, Can I come in? I'll offer them the attic, ask them to stay, because I know how it is to be without a house. Some days after dinner, guests and I will sit in front of a fire. Floorboards will squeak upstairs. The attic grum- ble. Rats? they'll ask. Bums, I'll say, and I'll be happy. Minerva is only a little bit older than me but already she has two kids and a husband who left. Her mother raised her kids alone and it looks like her daughters will go that way too. Minerva cries because her luck is unlucky. Every night and every day. And prays. But when the kids are asleep after she's fed them their pancake dinner, she writes poems on little pieces of paper that she folds over and over and holds in her hands a long time, little pieces of paper that smell like a dime. She lets me read her poems. I let her read mine. She is always sad like a house on fire-always something wrong. 84 Sandra Cisneros She has many troubles, but the big one is her husband who left and keeps leaving. One day she is through and lets him know enough is enough. Out the door he goes. Clothes, records, shoes. Out the window and the door locked. But that night he comes back and sends a big rock through the window. Then he is sorry and she opens the door again. Same story. Next week she comes over black and blue and asks what can she do? Minerva. I don't know which way she'll go. There is nothing I can do.
Staring at the moon so blue Turning all my thoughts to you I was without hopes or dreams Try to dull an inner scream But you saw me through Walking on a path of air See your faces everywhere As you melt this heart of stone You take my hand to guide me home And now I'm in love You took my heart away When my whole world was grey You gave me everything And a little bit more And when it's cold at night And you sleep by my side You become the meaning of my life Living in a world so cold You were there to warm my soul You came to mend a broken heart You gave my life a brand new start and now I'm in love You took my heart away When my whole world was grey You gave me everything And a little bit more And when it's cold at night And you sleep by my side You become the meaning of my life Holding your hands I won't fear tomorrow Here where we stand We never be alone You took my heart away When my whole world was grey You gave me everything And a little bit more And when it's cold at night And you sleep by my side You become the meaning of my life You become the meaning of my life You become the meaning You become the meaning of, my life
A Picture for Dad I painted a picture of my dad for his birthday. It was the first time I drew a picture of him. At the party, I was scared to give it to him. Why? Because it wasn't very good. But when my dad saw it, he said that he liked it. He put it right up on the wall and said, "It looks just like me!"