In William Sleator's short story 'The Elevator', what is the primary reason Martin feels vulnerable and uncomfortable when the fat lady enters the elevator?

In the short story "The Elevator," how does Martin's father react to Martin's growing fear of the elevator and the lady?

Which detail from the story 'The Elevator' most effectively builds the suspense regarding the lady's intentions toward Martin?

In the exposition of 'The Elevator', why does Martin choose to continue using the elevator despite his intense fear of it?

The ending of the story "The Elevator" is considered a cliffhanger. What is the final event that occurs before the story concludes?

In 'The Elevator', how does the author use the setting of the 'old, small, and shaky' elevator to mirror Martin's internal state?

In the story 'The Elevator', how does the fat lady's behavior change in the final scene compared to her previous appearances?

Which specific detail about Martin's physical condition contributes to his difficulty in escaping the elevator situation by using the stairs?

What literary device is primarily used through the character of the fat lady to create tension throughout 'The Elevator'?

In 'The Elevator', how does the author use the lady's physical positioning to increase Martin's sense of dread?

In Stephen Leacock's short story "With the Photographer", how does the narrator react when he finally sees the proof of his portrait?

During the photo session in "With the Photographer," what specific physical critique does the photographer make about the narrator's face?

Which of the following alterations did the photographer NOT claim to have made to the narrator's image in the proof?

How long does the narrator wait in the photographer's studio before he is actually called in to have his picture taken?

At the end of the story, what does the narrator tell the photographer he can do with the altered photographs?

What is the primary theme explored in Leacock's "With the Photographer" through the interaction between the narrator and the photographer?

What is the narrator's tone at the conclusion of the story when he leaves the studio?

When the photographer is preparing to take the picture, what does he do to the narrator's head that causes the narrator to describe the process as being 'treated like a piece of sculpture'?

When the photographer complains about the narrator's ears, what does he suggest doing to them in the final print?

In the story, what does the photographer do to the narrator's mouth that contributes to the narrator's ultimate frustration?