ENGLISH GR 10 Q3 M3
Quiz by Mark Joseph Marantal 2
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- Q1
Which of the following does not talk about historical criticism?
It criticizes historical figures who played part in treachery and betrayal.
It describes everything the characters see or gives a complete history of
where the scene occurs.
It gives enough information to help readers understand a text better using
its history as background.
It sees literature as both a reflection and product of the times and
circumstances in which it is written.
30sEN10RC-IIh-2.22 - Q2
Formalist criticism focuses on the text itself. Which of the following is not included in critiquing the form of a particular short story?
Elements of a short story
Moral of the story
Literary devices
Figures of speech
30sEN10RC-IIh-2.22 - Q3
Reader response critics are not interested in a “correct” interpretation of a text or what the author intended. They are interested in________________________.
political and historical background of the story
the ethics and morals the story gives
reader’s individual experience while or after reading a text.
inequality of gender issues raised
30sEN10RC-IIh-2.22 - Q4
Criticism that places literature in a social context and attempts to understand representation from a woman’s point of view is called _________.
Marxist
Feminist
Moralist
Formalist
30sEN10RC-IIh-2.22 - Q5
Padre Damaso, a Franciscan Spanish priest supposed to be the personification of Christianism had committed abuses such as ordering the exhumation and transfer of Don Rafael’s body to the Chinese cemetery. In the later part of the novel, it was revealed that he abused Dona Pia Alba, making him the father of Maria Clara. What approach will you use to develop a literary criticism for these details?
Moralist
Formalist
Marxist
Feminist
30sEN10RC-IIh-2.22 - Q6
Which of the following is not included in the analysis using the Marxist approach?
author’s idea about the prevailing social issue like oppression
author’s style of writing using literary devices
author’s message on the issue or problem whether stated directly through
characters or merely implied
social classes that constitute the setting of the story (their importance and
role to run the plot and in injecting ideas)
30sEN10RC-IIh-2.22