WHAT?S YOUR NAME? | Quizalize

3 Use the prompts to make a conversation. A: morning. / What/ name? Good morning. What's your name? B: Hello./name/be/Kumar. / Nadia Kumar. A: How / spell/Nadia? B: N-A-D-I-A. A: you / repeat / surname, / please? B: Kumar. A: Be/K-U-M-E-R? B: No/that/ not right. / It / be / K-U-M-A-R. A: Just/minute. / Here's your card, Ms Kumar. B: Perfect. / Thank

Conversation in French Greetings • Bonjour – Good morning/Hello • Salut – Hi/Bye • Bonsoir – Good evening • Allô – Hello (on the phone) • Bon après-midi – Good afternoon How Are You? • Comment ça va? – How are you? • Ça va? – How’s it going? I’m Feeling… • Ça va bien – I’m feeling good • Ça va mal – I’m feeling bad • Comme ci, comme ça – I’m feeling so-so • Ça va très bien – I’m feeling very good • Ça va très mal – I’m feeling very bad My Name Is… • Je m’appelle… – My name is… What’s Your Name? • Comment t’appelles-tu? – What’s your name? I’m This Old • J’ai ** ans – I am ** years old How Old Are You? • Quel âge as-tu? – How old are you? I Live Here • J’habite à… – I live in… Where Do You Live? • Où habites-tu? – Where do you live? Can I Borrow… • Puis-je emprunter…? – Can I borrow…? Goodbyes • Au revoir – Goodbye • À bientôt – See you soon • À demain - See you tomorrow • À lundi - See you Monday • Bonne nuit – Good night • Bonne soirée – Have a good evening

A small blue case KUAN: I left a suitcase on the train to London the other day. ATTENDANT: Can you describe it, sir? KUAN: It's a small blue case and it's got a zip. There's a label on the handle with my name and address on it. ATTENDANT: Is this case yours? KUAN: No, that's not mine. ATTENDANT: What about this one? This one's got a label. KUAN: Let me see it. ATTENDANT: What's your name and address? KUAN: Kuan, 83, Bridge Street. ATTENDANT: That's right. Kuan, 83, Bridge Street. ATTENDANT: Three pounds fifty pence, please. KUAN: Here you are. ATTENDANT: Thank you. KUAN: Hey! ATTENDANT: What's the matter? KUAN: This case doesn't belong to me! You've given me the wrong case!

The Pedestrian (adapted) by Ray Bradbury Mr. Leonard Mead loved to walk outside at night. The city was quiet at eight o’clock on a misty November evening. He liked to put his hands in his pockets and stroll along the cracked sidewalks, stepping over grass that grew between the concrete. He would stop at the corners, look down the empty streets, and choose which way to go. It didn’t really matter which way he picked, because he was always alone in the year 2053. Sometimes, Mr. Mead would walk for hours and miles, coming home only at midnight. As he walked, he saw houses with their windows dark, like he was walking through a graveyard. Sometimes, he saw tiny flashes of light from behind curtains or heard soft voices from open windows. Mr. Mead wore sneakers so his footsteps wouldn’t make noise. If he wore shoes with hard heels, the dogs would bark and people might look out their windows. He liked being quiet and unnoticed as he walked in the cool November air. On this night, Mr. Mead walked west, toward the sea. The air was cold and frosty, making his nose sting and his lungs feel fresh. He listened to the sound of his shoes in the fallen leaves and sometimes picked up a leaf to look at it under the streetlights. As he walked, he whispered to the houses, “Hello in there. What’s on TV tonight? Where are the cowboys? Is the cavalry coming?” But the street was silent and empty, with only his shadow moving. He checked his watch. “Eight-thirty. Is it time for a quiz show? Or a funny show?” He thought he heard laughter from a house, but nothing else happened. He kept walking, sometimes stumbling over the broken sidewalk. In all his years of walking, he had never seen another person out at night. He reached a big intersection where two highways crossed. During the day, it was full of cars, but now it was empty and quiet, like a dry riverbed. Mr. Mead turned onto a side street, heading home. Suddenly, a police car turned the corner and shined a bright light on him. He stood still, surprised by the light. A metallic voice from the car said, “Stand still. Don’t move! Put up your hands!” Mr. Mead obeyed. The police car asked, “What’s your name?” “Leonard Mead,” he answered. “What’s your job?” “I guess I’m a writer,” Mr. Mead said. The police car replied, “No profession.” Mr. Mead hadn’t written anything in years, since people didn’t buy books or magazines anymore. People just stayed inside their houses, watching TV. The car asked, “What are you doing out?” “I’m walking,” Mr. Mead said. “Walking? Just walking?” the car repeated. “Yes,” he said. “Where are you walking? Why?” “For air. To see things,” Mr. Mead answered. “Your address?” “Eleven South Saint James Street.” “Do you have air in your house? An air conditioner?” “Yes.” “Do you have a TV?” “No.” “No?” The car was quiet for a moment. “Are you married?” “No,” Mr. Mead said. “Not married,” the car said. The night was cold and quiet. “Just walking, Mr. Mead?” “Yes.” “But why?” “I told you. For air, to see, and just to walk.” “Do you do this often?” “Every night for years.” The police car was silent for a moment. Then it said, “Get in.” The back door opened. “Wait, I haven’t done anything!” Mr. Mead protested. “Get in,” the car repeated. Mr. Mead looked into the car. There was no one inside, just an empty front seat. The back seat was like a small jail cell, cold and hard. “Where are you taking me?” he asked. The car answered, “To the Psychiatric Center for Research on Regressive Tendencies.” Mr. Mead got in. The door closed, and the car drove away through the empty streets. As they passed his house, he saw that all the lights were on. “That’s my house,” he said, but no one answered. The car drove off into the night, leaving the streets empty and silent for the rest of the cold November night.

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